By Steve Herte
Sleepy
Hollow (20th Century
Fox Television, 2013) – Creators: Alex Kurtzman,
Philip Iscove, Roberto Orci, Len Wiseman. Stars: Tom Mison,
Nicole Beharie, Orlando Jones, Jim McKenny, Katia Winter, Jeremy
Owens, Lyndie Greenwood, Clancy Brown. Mondays at 9:00
pm.
Even
though deep into the story of this fascinating new twist on
Washington Irving’s “The Legend of Sleepy Hollow” I’ve been
promising a review since its inception. Far from the animated Walt
Disney version where Ichabod Crane is a gangly, goofy coward, this
Ichabod (Mison) is a handsome well-spoken soldier who fought beside
George Washington (McKenny) in the revolutionary war after defecting
from the English army. He meets his future wife Katrina (Winter) at a
social party and they fall in love, but she’s betrothed to another.
Not only that, she’s a witch with her own coven.
In
a battle with the “Redcoats,” Ichabod is mortally slashed by the
battleaxe of a seemingly invincible masked Hessian soldier (Owens)
but with his last strength he beheads the Hessian with a might swipe
of his sword. As he lay there on the battlefield Katrina casts a
spell over him and later secrets his body to a burial place where no
one will find him. Unfortunately, as she’s casting the spell,
Ichabod’s blood is mingling with that of the headless Hessian and
they become linked by blood in her spell and both awaken 250 years
later just outside the town of Sleepy Hollow, New York.
Captain
Frank Irving (Jones) of Sleepy Hollow (who deliberately transferred
there thinking the duty would be lighter than in the big city, where
he was losing touch with his family due to his constant absence) has
no idea what to make of this man from the distant past or of the
headless horseman that is suddenly making his life more complex. Only
Lieutenant Abbie Mills (Beharie) seems to understand him and she
gradually discovers that her path and Ichabod’s are linked in a
terrible goal of preventing the Apocalypse.
We
learn that the demon Moloch is orchestrating the Final Days through
the headless horseman and has made him one of the famous biblical
Four Horsemen of the Apocalypse and the character “Death.” He has
imprisoned Katrina in a mid-world purgatory and shown himself to the
future lieutenant and her sister Jenny (Greenwood) while in their
teens, resulting in one being institutionalized in an asylum (no one
believes she saw the Devil) and the other estranging herself from her
sister into a life of petty crime. But when Sheriff August Corbin
(Brown) gives her a fatherly talking to at a diner over apple pie,
she decides to change her ways and joins the police force. She later
learns after the horseman beheads the sheriff that he had a file
cabinet full of strange incidents occurring around town and was
secretly investigating them.
Now
her fate and Ichabod’s are deeply entwined as she is forced to
accept the supernatural events that are happening and the two battle
witches, ghoulies, a golem, Moloch himself and of course, the
headless horseman in a continuing quest for the salvation of the
world from an imminent End of Days.
The
tale would have made Washington Irving proud. It is more terrifying
than his original and is told with subtle wit to lighten the gravity
of the situations. In the beginning episode a policeman is
questioning Ichabod and asks, “You fought with George Washington?”
“Oh, you know him?” asks Crane. With that the policeman produces
a dollar bill with the picture of Washington face up. Ichabod is as
mystified at his new surroundings as the residents of Sleepy Hollow
are at his presence. All of the characters are believably portrayed
and well acted. The sets, costumes and special effects are very well
done for a television production. The musical background accentuates
the tension in each scene and the cinematography brings chills to the
spine. I find myself eager to be home on Mondays to see the next
installment.
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