Mel's
Cine-Files
By
Melissa Agar
It’s
my favorite time of the year as a film lover – OSCAR SEASON!
This is my Super Bowl. I’ve been watching the early critics’
awards and guild nominations, curled up with the Golden Globes on
Sunday, and I’m ready to make my predictions of who is going to be
getting some early morning calls Thursday from their agents and who
will get to sleep in.
BEST
PICTURE
12
Years a Slave
American
Hustle
Gravity
Inside
Llewellyn Davis
Philomena
Her
Captain
Phillips
Nebraska
The
Wolf of Wall Street
Predicting
the Best Picture nominees is harder now that the number is
“flexible.” I’ve listed here in the order of confidence. Slave,
Hustle, and Gravity are locks. I get less
confident as the list goes down. I suspect it’s going to end
up being a shoot-out between Slave and Hustle. Wolf deserves
a nomination; it just depends on whether or not the conservative wing
of the Academy ranks it highly enough for it to make the cut.
BEST
DIRECTOR
Steve
McQueen, 12 Years a Slave
David
O. Russell, American Hustle
Alfonso
Cuaron, Gravity
Spike
Jonze, Her
Martin
Scorcese, The Wolf of Wall Street
It’s been a fabulous year for directors. Scorcese is my “gambler’s” choice, but he is such a beloved figure that it’s hard to imagine him being snubbed even if voters don’t warm to the film. If Wolf isn’t nominated for Best Picture, though, I suspect Scorcese will drop off the list in favor of the Coens.
BEST
ACTOR
Chiwetel
Ejiofor, 12 Years a Slave
Matthew
McConaughey, Dallas Buyer’s Club
Christian
Bale, American Hustle
Tom
Hanks, Captain Phillips
Bruce
Dern, Nebraska
The top three are no-brainers in my book. Tom Hanks is beloved, and Captain Phillips was his strongest film in a few years after a couple disappointments (Larry Crowne? Cloud Atlas?). Dern is my gambler’s choice. I wouldn’t be surprised if Robert Redford took that spot, but the Academy loves to reward aging actors and act like they’re newly discovering them. No one could pretend that Redford is newly discovered, but Dern? Much “hipper” choice.
BEST
ACTRESS
Amy
Adams, American Hustle
Cate
Blanchett, Blue Jasmine
Emma
Thompson, Saving Mr. Banks
Sandra
Bullock, Gravity
Judi
Dench, Philomena
This
is a tough field of ladies this year, and I suppose Meryl could still
sneak her way in here although critical response to August:
Osage County has
been a bit more tepid than I expected considering the tremendous
source material. With such a strong crop of performances this year,
it’s a lot easier to imagine Meryl squeezed out in favor of Judi
Dench’s sweetly heartbreaking performance in Philomena.
BEST
SUPPORTING ACTOR
Jared
Leto, Dallas Buyer’s Club
Bradley
Cooper, American Hustle
Daniel
Bruhl, Rush
Will
Forte, Nebraska
Michael
Fassbender, 12 Years a Slave
I’m
gambling a little more here. Leto is a lock for nomination, and I
have a hard time imagining Cooper getting shut out of the love for
American Hustle, which is a true actor’s showcase. There’s
a nice murmuring of support building for Will Forte (plus, it’s
always nice to see those SNL kids do well). I’d
love to see Jonah Hill back on this list, but in such an amazingly
competitive year, his performance may get lost. I absolutely adored
Tom Hanks’s performance in Saving Mr. Banks even
though I wasn’t overly fond of the film itself and would love to
see him sneak in here.
BEST
SUPPORTING ACTRESS
Jennifer
Lawrence, American Hustle
Lupita
N’Yongo, 12 Years a Slave
June
Squibb, Nebraska
Sally
Hawkins, Blue Jasmine
Oprah
Winfrey, The Butler
It’s
kind of nice this year that no one seems to have a total lock on the
win so far (although Jared Leto seems to be distancing himself from
the competition pretty mightily). There are a lot of incredible
performance that will go unrecognized this year – Hugh Jackman in
Prisoners, for example. Right now, Lawrence N’Yongo seem
like the top contenders to take this award, but the rest of this
field seems a little more open. I’m gambling on Oprah here and
won’t be remotely surprised to see another name in this fifth spot
– Julia Roberts for August: Osage County (although
if Julia is nominated and Meryl isn’t, that seems like a bit of a
travesty), Margot Robbie for The Wolf of Wall Street (a
nomination that no one, sadly, seems to be talking about), Jennifer
Garner for Dallas Buyer’s Club, Sarah Poulson for 12
Years a Slave – but I’m sticking with Oprah.
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