Taken 2 (EuropaCorp, 2012) – Director: Olivier Magaton. Starring Liam Neeson, Maggie Grace, Framke Jannsen, and Rade Serbedzija.
I
can’t say I’m a big fan of sequels, especially if I haven’t seen the first
one. It may be a little hard to get up to speed on the characters if I
haven’t seen the predecessor. Fortunately, I did see Taken, so when I went to see its sequel, Taken 2, I had a good idea of where things were going to go.
Although seeing the first movie isn’t a
prerequisite for Taken 2, it is a
good idea. The original gives you a better understanding of the main
character Bryan Mills (Neeson) and just how far he will go to save someone he
loves. If you haven’t seen the first movie, you can still enjoy the
sequel, but I’m guessing, you won’t like it quite as much.
Taken (the first) has Mills’ daughter Kim, who lives
with her mother, going off to Paris with friends. While there, she is
kidnapped and she is about to be sold into sex slavery. Her dad (Neeson)
is a retired CIA agent with a “special set of skills” that allows him to track
her and the bad guys down, and saving her.
Sorry if that spoils the ending for you, but you
have to figure that if there’s a sequel, then he probably got the job done in
the first movie.
Taken
2 picks up not long after
the first movie ends. Mills is trying hard to reestablish a relationship
with his daughter, but he’s a bit overprotective (understandable, even if she
hadn’t been kidnapped in the first movie). After his ex-wife has a breakup
with her current boyfriend, Mills offers to take her and Kim to Istanbul for a
little R and R.
Meanwhile, the father of the first movie’s bad
guy is seeking revenge for the death of his son. He doesn’t seem to care
that his son was a human trafficker, selling young girls and destroying
countless lives; he only want justice (most people call that revenge). He
puts together a team of bad guys who somehow find out that Bryan and his family
will be in Turkey, and plots to kidnap all three.
He manages to get Bryan and his wife, but this
time, Kim is able to elude the bad guys, and plays a big role in helping her
dad.
The plot is pretty straightforward. I
wasn’t thrilled with what they did with the basic concept. I think they
could have taken a bit more time to develop the storyline, which might have made
the whole movie more exciting.
There were some tense parts in the movie, but
nothing that might make your hair stand on end. There are some chase
scenes, both on foot and in cars, but those too, are nothing for director Megaton
to brag about. As a matter of fact, people who like to point out
inconsistencies (like bullet holes that appear and disappear randomly and
windshields that miraculously heal themselves for short periods of time) will
need a lot of paper on which to take notes. I’m not sure what kind of cars
they use for taxis in Istanbul, but I can tell you they’re practically indestructible
(at least through 95 percent of the chase).
Neeson is good in his role. I sure wouldn’t mess
with him. Then again, I wouldn’t mess with Dakota Fanning, so my
assessment may not hold a lot of water. Great acting, however, is not what
the director was trying to achieve with this movie; he was after the action
sequences combined with the suspense element. It’s just okay in both of
those regards. Neeson was much better in the first movie.
The rest of the cast (no one you’ve probably
ever heard of) is adequate, but that’s about it. They weren’t as bad as
the casts that Steven Seagal uses in his bombs, but no one here will ever be
confused with Oscar nominees either.
All in all, I give it a very low C-. It was
better than I expected, but not one that I would see more than once, even on
DVD. It gets the grade based on the thriller elements and the basic plot,
but little else. I debated for a while whether I should drop it into the D
ratings.
Don’t bother seeing it in the theater. I
don’t think the big screen added anything to the movie at all. Wait for it
on DVD and if you like action/thrillers, and you’ve already seen Taken, give it a try. You may be
more impressed than me.
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