TCM
TiVo ALERT
For
September
23–September 30
DAVID’S
BEST BETS:
CAGED (September
24, 6:30 am): Unlike nearly all the others in the unusual but
often-visited women-in-prison film genre, Caged is
well acted. Eleanor Parker was nominated for a Best Actress Oscar as
the young innocent Marie Allen, Agnes Moorehead is great as
warden Ruth Benton, and Hope Emerson was nominated for a Best
Supporting Actress Oscar as the deliciously evil matron Evelyn
Harper. Almost anything bad you can imagine happens to Marie: her
new husband is killed in a robbery, she ends up in prison because she
is waiting in the getaway car, she's pregnant while serving her
sentence, she's victimized by other inmates and Harper, she has to
give up her baby for adoption, and finally becomes bitter and
hardened from all of her bad experiences. The story is similar to
other women-in-prison movies minus the T&A. We still get a shower
scene (no nudity as this is during the Code era) and the
stereotypical prison lesbian. But there's a huge difference
between Caged and
the women-in-prison films of the 1970s. It's not only the excellent
acting, but the powerful dialogue and actual plot – it
was nominated for a Best Writing Oscar – that makes
this gritty, stark, realistic film stand out among others in the
genre.
THE
LONELINESS OF THE LONG DISTANCE RUNNER (September 25,
2:45 am): I'm a huge fan of the British kitchen sink/angry young man
film genre, and there are very few finer than this one. Colin Smith
(Tom Courtenay in his brilliant film debut) is a rebellious
teenager in post-World War II England who ends up in a juvenile
delinquent institution. While there, he discovers he has a talent for
long-distance running. He's able to avoid the hard labor the other
boys must endure because of his abilities. But the anger and
resentment against a system that chews kids like him up and spits
them out when they are no longer of any use is always in the back of
his mind. The big race against the nearby public school is an
opportunity to for Colin, but leaves him conflicted. In the end, he
does what he believes to be the right thing to maintain his integrity
and independence despite the consequences. It's a lousy time to air a
great movie.
ED’S
BEST BETS:
THE
POSTMAN ALWAYS RINGS TWICE (September 24, 8:30 am):
This is the original – and the best – version of James M.
Cain’s classic novel (which also inspired Albert Camus, by the
way). When it comes to noir, one would think that
the MGM gloss was off-putting, but I think it actually
helps the film. Garfield has never been better and Turner has never
been more gorgeous. Not only can we see that they’re going to hook
up, we can understand why they must hook up. The
performances from the supporting cast are superb, the photography by
Sidney Wagner is sharp and inviting, and Tay Garnett’s direction
workmanlike, as he keeps the characters and the story in constant
play. Despite the complaints of the changes in Cain’s original
story (for censorship purposes), the film still outdoes the 1981
Nicholson-Lange remake in terms of the heat between the stars, not to
mention the fact that Turner, while hardly a serious actress, ran
rings around Lange’s performance.
TOP
SECRET (September 28,
9:45 pm): This follow-up to the wildly popular Airplane wasn’t
as well received at the box office, but it is still hysterically
funny, with gaga flying everywhere. This spoof of rock ’n’ roll
musicals and espionage pictures stars Val Kilmer as an
Elvis-type rocker touring East Germany who gets mixed up with a woman
whose father is being held in prison and who herself works for the
Resistance. The Zucker Brothers and Jim Abrahams leave
no stone unturned in search of a gag. Some gags are painfully obvious
while others are subtle, taking us by surprise. Kilmer turns
in an excellent performance as signer Nick Rivers and is ably
assisted by a slew of famous actors in cameo roles. It may not quite
be Airplane, but it’s still hilarious in its own right.
WE
DISAGREE ON ... ANCHORMAN: THE LEGEND OF RON BURGUNDY (September
28, 11:30 pm)
ED:
D. I have never found Will Farrell to be funny. Given a
stronger plot, as in Elf or Old School,
he can be tolerable – barely. But here, with a plot that is paper
thin at best and a lousy script, Farrell is exposed for the boor he
really is. It begins with as bang, but quickly fizzles as the plot
gives way and we discover that Farrell is incapable of carrying
what’s left. What’s left is the usual collection of potty jokes
and situations that only go to show how dumbed down
comedies and our expectations of them have become over the years.
Both Christina Applegate and Fred Willard, two
talented comic actors, are totally wasted playing second bananas to a
piece of rotted fruit. Those tuning in expecting to see a parody in
the manner of Ted Baxter at WJM will be very disappointed
by this witless comedy. Shame on you, TCM, for wasting valuable
resources on this turkey.
DAVID: C-. I
don't dislike this film as much as Ed. While it has some funny
moments and lines that spoof the 1970s, it's inconsistent and largely
forgettable. More so than the movie, that it's being shown is what
disturbs me. TCM is a network that shows classic films and
not-so-classic films from decades ago. If TCM is going to
show movies from the early 2000s, they better be of excellent
quality. Anchorman is most definitely not. If I want
to watch mediocre films from a decade ago, I have a dozen stations
from which to choose. Among several TCM viewers, there have
been growing concerns and complaints about the network showing films
from the 1990s and 2000s as the "C" in "TCM"
stands for "classic." Again, not everything shown on TCM is
a classic, but if the decision has been made to show movies like this
rather than films from long ago, it's a disturbing trend. One movie
is not going to ruin TCM. However, if this isn't an
isolated incident, I'm concerned about the future of TCM. Let's hope
this is simply an anomaly.
For the complete list of films on the TCM TiVo Alert, click here.
For the complete list of films on the TCM TiVo Alert, click here.
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