Tuesday, November 29, 2016

TCM TiVo Alert for December 1-7

December 1–December 7


MEET JOHN DOE (December 1, 2:15 am): This is a wonderful film and I've never seen Gary Cooper more relaxed in a role than of the fictitious John Doe, the every-man who is created by fired newspaper columnist Barbara Stanwyck. Stanwyck writes a column with a letter from "John Doe," who is tired of the corrupt system that has left him jobless and bitter, and plans to jump off the roof of city hall on Christmas Eve. The story takes on a life of its own so she convinces the paper's bosses to find a John Doe and write articles about his life, thus creating a national movement. The movie is a comedy with an important message about how society ignores the regular guy. Frank Capra's films are often too sentimental for my tastes, but he hits the right notes with this movie. The supporting cast is solid, particularly Walter Brennan as Cooper's tramp buddy, known as the Colonel, and James Gleason as the headline-hungry managing editor. The film is in the public domain so you can watch it online.

CAPE FEAR (December 4, 2:15 pm): The 1991 remake is very good, but I prefer the 1962 original with Robert Mitchum as the terrifying Max Cady who stalks Sam Bowden (Gregory Peck) as well as his wife (Polly Bergen in an excellent performance) and teenage daughter (Lori Martin). The interaction between Mitchum and Peck makes this a must-see. No one can touch Mitchum when it comes to playing pure evil and he shines in this film. Cady is a criminal who spent eight years in prison for rape after Bowden, an attorney, stops him in the act and testifies against him. Cady is out and forget about rehabilitation. Cady is focused on one thing: seeking revenge in the worst possible ways by not only going after Bowden, but his wife and daughter. It is full of suspense with exceptional performances. 


HITLER’S MADMAN (December 3, 8:00 pm): This was German refugee Douglas Sirk’s first film in America, a concise and action packed story of the brutal reign of Nazi governor Reinhard Heydrich in Prague, his assassination by Czech resistance fighters, and the brutal revenge of Hitler upon that captive nation. Based on actual events, John Carradine makes for an effective Heydrich and he is supported by an outstanding cast, including Patricia Morison, Ralph Morgan and Elizabeth Russell. Look for Ava Gardner in a small, uncredited role as Franciska Pritric. Sirk provides a sterling example that a low budget does not necessarily make for a bad film. Made for Poverty Row studio PRC, Louis Mayer screened the finished product and was so taken that he purchased it from PRC. To give the film a little extra polish he had Sirk reshoot some of the material before release. The film holds up well today and shows how imagination and honest effort can defeat the lack of budget money.

TOKYO STORY (December 6, 1:30 am): One of the true and enduring classics of the cinema. Director Yazujiro Ozu’s portrait of the elderly in a rapidly changing Postwar Japan is both touching and poignant. An elderly couple (Chishu Ryu and Chiyeko Higashiyama) travel to the city to visit their children, who have no time for them and treat them rather tactlessly. It is a powerful look at the problems of the elderly, the disappointments parents face with their children, the children’s fear of growing older, and how the traditional values as pertains to families are disappearing as Japan becomes more and more modernized. To put it succinctly, it’s a masterpiece that should not be missed.

WE DISAGREE ON ... LUST FOR LIFE (December 3, 3:45 pm)

ED: A+. When considering a biopic about a person as passionate as Van Gogh, one needs an actor who can be passionate without chewing up the available scenery. And in Kirk Douglas we have that perfect actor. He brilliantly conveys the emotional state of Van Gogh without resorting to stage theatrics or trying to outshine his co-stars. In fact, there are times throughout the film when Anthony Quinn, who won a well-deserved Oscar as Paul Gauguin, outshines Douglas in their scenes together. (More kudos to Douglas for placing the importance of his subject before his ego.) As with any quality production, it is absolutely essential to have a good director and an excellent supporting cast. And Lust for Life has both. Vincente Minnelli has the good sense to stand back and let the story unfold while getting superb performances from a stellar supporting cast, including the underrated James Donald, Henry Daniell, Lionel Jeffries, Niall McGinnis, Laurence Naismith, and the always-dependable Everett Sloane. But in the end it’s up to the star to carry the project, and Douglas does just that with a textured performance for the ages. This is a film I can watch time and time again without feeling bored.

DAVID: C-. You won't get an argument from me that Kirk Douglas is one of cinema's all-time greatest actors and that over the years, Anthony Quinn showed himself to be a fantastic talent who delivered great performances in the right circumstances. While Quinn won an Oscar for Best Supporting Actor for his eight-minute performance in this 122-minute film and Douglas was his excellent self, this movie about Vincent Van Gogh, an interesting and intense figure in the history of art, does very little for me. I don't enjoy the story, how it's told, the pacing of the film or most anything else even though I recognize the strength of the acting. It's that strength in this overly melodramatic film that saves it from me giving it a grade lower than a C-. Not that it has much to do with this film, but while Van Gogh's life was fascinating, his art is overrated.

For the complete list of films on the TCM TiVo Alert, click here.


  1. I agree the original "Cape fear" is a Classic... And to Me anyway so much more believable than the glossy remake!.

  2. Never was there a better match than Kirk Douglas and Vincent Van Gogh. I saw the film again just recently. It was a remarkable performance.