Film
In Focus
By
Jonathon Saia
National
Lampoon’s Christmas Vacation (WB, 1989) –
Director: Jeremiah S. Chechik. Writer: John Hughes. Stars: Chevy
Chase, Beverly D’Angelo, Juliette Lewis, Johnny Galecki, John
Randolph, Diane Ladd, E.G. Marshall, Doris Roberts, Randy Quaid,
Miriam Flynn, Cody Burger, Brian Doyle-Murray, Julia
Louis-Dreyfus, Ellen Latzen, William Hickey, Mae Questel & Sam
McMurray. Color, Rated PG-13, 97 minutes.
Every
family has their holiday traditions.
Reading
"Twas the Night Before Christmas" around the fire. Finding
the pickle on the Christmas tree. Singing carols around the piano.
Getting drunk to survive the foolishness. The holidays bring out the
best and the worst of what it means to be a family.
One
of the Saia Family traditions (in addition to all of the above)
was watching the Griswolds. I've probably seen this movie a
dozen times and always thought of it as a lightweight, feel good
reflection of the stress the holidays bring to us all. The Christmas
my grandfather died, in desperate need of a laugh, we still gathered
around the TV as usual and I began to realize just how great – not
just emotionally rewarding – of a film it actually is.
Notice
when Clark (Chase) gives his boss a Christmas gift; all of the gifts
from all of his workers are shaped exactly the same, symbolizing the
cookie-cutter expectation of white collar America. Clark and his boss
(played by the indefatigably cantankerous Brian Doyle-Murray, Bill's
brother) are separated by a giant table, speaking volumes about the
company's relationship to its workers. Notice the way Audrey's
(Lewis) eyes are frozen over when shopping for the tree. Or Russ'
(Galecki) frustration being given the task of unraveling the
ball of lights, illustrating the way children suffer for their
parents' mistakes. Or the scene in bed when Clark's fingers get
sticky with the glue from the magazine. Or the great montage when the
grandparents arrive yelling at one another and then unloading their
grievances and their outpourings of emotion on their hosts not even
two minutes in the door. The way Eddie (Quaid) piles bag upon bag of
dog food into Clark's cart. The way Ellen (D'Angelo) and Audrey bond
over the inescapable wounds of family pressure. And every single
moment featuring Uncle Lewis (Hickey) and Aunt Bethany (Questel).
This film is filled with moments of tacit specificity that create an
elaborate tapestry of Mid-American provincial life.
Christmas
Vacation has it all: It's a road movie as they travel into
the woods to chop down their own tree. It's an action movie as they
struggle to get out from under the truck and the SWAT team busts
through their windows. It's a sex comedy as Clark flirts with the
clerk at the mall and later dreams of her doing a private striptease
just for him. It's a gross out comedy as Eddie dumps his full shitter
into their sewage drain. It's slapstick as the Griswolds' neighbors
fall down the stairs and get attacked by dogs. It's a Man Against the
Machine film as Clark finds himself an anonymous cog in the corporate
wheel and shoppers fall over themselves for the last-minute deals.
It's a socio-economic treatise seeing what poverty does to the family
unit. It's a four-hankie weeper as Clark watches his old home movies
and has a heart to heart with his dad after everything goes down
hill. The screenplay by John Hughes, the master of smart comedies
with heart, combines all of these seemingly mismatched elements to
give us a frighteningly real life portrait of the Willie Loman in all
of us.
And
standing in as our Everyman is the under-appreciated Chevy Chase,
always overshadowed by other titans of his generation like Bill
Murray or John Belushi. But in every Chase performance there is a
suave mastery of the art of physical comedy. And his most famous
character, Clark Griswold, reminds me of something Buster Keaton
would have played. Pantomimed to perfection, filled with passion and
heart and bravery. There is a reason why he is Chevy Chase and we are
not.
Christmas
Vacation is also filled to the brim with wonderful character
actors. Doris Roberts. Diane Ladd. E.G. Marshall. John Randolph.
Miriam Lynn. A pre-Roseanne Galecki. A pre-Cape
Fear Lewis. A pre-Seinfeld Julia Louis-Dreyfus.
A post-Oscar nominated Hickey and Quaid. The great Mae Questel
who was the voice of "Betty Boop" and "Olive Oyl."
And the neglected D'Angelo. Seriously. Where has she gone?
National
Lampoon's Christmas Vacation taps into the joys and
heartbreaks of trying to bring your family the perfect gathering, no
matter which holiday you celebrate. And most poignantly, it makes you
look at your own insane, obnoxious, pull-your-hair-out-frustrating
family and somehow love them. To see through all the muck and mire
and just love them.
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