Dinner
and a Movie
By
Steve Herte
Going
In Style (WB, 2017) – Director: Zach Braff.
Writers: Theodore Melfi (s/p), Edward Cannon (story). Stars: Joey
King, Morgan Freeman, Ann-Margaret, Michael Caine, Peter
Serafinowicz, Christopher Lloyd, Alan Arkin, Matt Dillon, Maria
Dizzia, John Ortiz, Siobhan Fallon Hogan, Kenan Thompson, Katlyn
Carlson, Josh Pais, & Nancy Castro. Color, Rated PG-13, 96
minutes.
This movie had a
tough act to follow, being a remake of the 1979 film starring George
Burns, Art Carney and Lee Strasberg. Admittedly, this version is more
sedate with many chuckles but the story is played out in the classic
definition of a comedy. The all-star cast helps make it memorable.
Joe Harding (Caine)
and his best friends Willie (Freeman) and Albert (Arkin) are seniors
who worked for the same plant and all are living from pension check
to pension check. Joe’s situation is a bit direr. His daughter
Rachel (Dizzia) and granddaughter Brooklyn (King) are now living with
him after Rachel split up with her shiftless husband Murphy
(Serafinowicz). An appointment with a banker at the Williamsburg
Savings Bank doesn’t brighten his situation for he’s received
notice that he’s about to be evicted.
Joe’s visit to the
bank is interrupted by three bank robbers in black masks, one of who
sympathizes with his monetary dilemma. The three make off with $1.6
million. This gives Joe an idea. When he and his buddies learn from a
plant manager that all operations are being transferred offshore to
Vietnam and that all pension payments are going to be discontinued,
the idea blossoms. Rob the bank.
Willie is easy to
convince because he only gets to see his family once a year on his
limited budget but Albert is not about to go to jail. That is, until
he learns that the plant is using their pension money to pay off its
debts to the very same bank. The three try a practice heist at a
grocery store but are hilariously caught by closed circuit cameras by
manager Keith (Thompson), who lets them off with a warning and a book
of coupons.
Meanwhile Annie
(Ann-Margret), another worker at the same grocery is playing up to
Albert and he’s constantly brushing her off, until he agrees to
have dinner with her and stays the night. At the same time we’re
learning that Willie has been going on dialysis and his doctor tells
him that he will need a new kidney.
How to become bank
robbers? “I know a low-life who may know someone,” says Joe. His
daughter’s ex, Murphy, runs a Baskin-Robbins version of a marijuana
store with over thirty-one blends. He agrees to give them quality
weed to gain the services of Jesus (Ortiz), an experienced criminal.
Joe, Willie and Albert go through an intensive training session
including fitness, timing, alibis, inconspicuous getaway car, and how
to case the bank. “You broke the first rule of bank robbery. Never
rob your own bank.”
With their lodge
hosting a charity bazaar for children, the three volunteer for the
t-shirt making committee and eventually blend in with many people
wearing the same yellow shirt and manning the ticket booth, cotton
candy stand and house of horrors, solidify their alibis. They don
“Rat Pack” masks (Frank Sinatra, Dean Martin and Sammy Davis Jr.)
and rob the bank, though it gets dicey when Willie’s weak kidney
attacks him. The Access-A-Ride bus departs from the bank
successfully.
Though the original
was funnier I thoroughly enjoyed this reboot. Michael Caine is
charming as usual, Morgan Freeman can do no wrong as an actor (never
seen him flop, even in a sci-fi movie) and Alan Arkin is as constant
as the speed of light. The real fun was having Milton (Lloyd) in the
cast as a gullible, totally clueless, and partially deaf old man who
is simply great. Ann-Margret is still lovely and alluring.
The film has only
one F-bomb, but it’s delivered sweetly by an elderly lady when Joe
steals her scooter. Otherwise, the movie is squeaky clean. I always
look for the moment of pathos, and the teary occasion is there but
it’s just before a clever twist of joy. And…how can I fault a
movie that ends in The Boathouse in Central Park, one of the most
romantic restaurants in New York?
Rating: 4 out of
5 martini glasses.
Taberna 97
97 St. Mark’s
Place, New York
Regular readers of
this column may be surprised to learn that of all the various
cuisines offered in the city of New York, this is only my second
venture into Portuguese.
St. Mark’s Place
has changed greatly since the ‘60s. The air is distinctly cleaner
and the street hubbub resonates with the word “like” rather than
“man.”
I loved the exterior
design of the restaurant, with its heart-shaped mural (composed of
many multicolored hearts that took me back 50 years) and a simple,
walk-down entrance framed in a comforting Mediterranean blue.
Inside I waited
until a tall, bearded young man greeted me, confirmed my reservation
and led me to a table near the window leading to the garden in the
back. Rather than white tablecloths, the tables were topped with
white marble; rightly so, because the candlesticks were covered with
candle-drippings right down to their bases. (Mine was stuck to the
table top.)
I considered the
port cocktail – ruby port, lillet rose, muddled orange and thyme –
to be the appropriate beginner to my experience as the Portuguese
practically invented port wine. It was sweet (not surprising) and
only a little citrusy, with the thyme making for a nice accent.
The menu was mostly
in Portuguese with English descriptions. My server helped navigate me
through the difficult sections and made my decisions easier. Thanking
him for his advice, I noted that I prefer heavier dishes and made my
selections. Another server brought the bread accompanied by a smaller
cylindrical bowl of olive oil.
The Caldo Verde (hot
green) soup was first. The bowl was impressively deep, but was only
two-thirds full of a hearty, beany broth with sliced sausage and
collard greens. The side dish, Migas – collard greens, Portuguese
corn bread, garlic and black-eyed peas – was served with the soup.
I added some of it to the soup and it was wonderful.
By this time I had
chosen my wine. They had a few selections from Portugal and one stood
out. The 2013 Herdade do Esporão (vineyards), Reserva in the
Alentejo region of Portugal (where the cork oak forests and olive
groves also grow) is an eye-opening, spicy, full bodied, deep red. It
was as exciting to drink alone as in combination with any dish. My
server brought a glass right away. Not knowing that Esporão
(Ish-por-ow) was the name of a vineyard, I asked my server what it
meant in Portuguese. He said that the closest word could be esporas
(Ish-por ahs) meaning “spurs.”
My appetizer,
Almôndega de Alheira – pork sausage meatballs over charred
broccoli rabe florets with a port wine-poached pear/cured egg yolk
sauce – formed an attractive green triangle on the plate with the
meatballs placed neatly on each side. Unlike Italian meatballs, these
were light and airy. Normally, I’m not a fan of broccoli rabe but
these were garlicky, a bit salty, and delightful when coated with the
sweet sauce.
When I had finished
the third meatball, my main course arrived. Picadinho Misto (mixed
mincemeat) – beef, chicken, and merguez sausage with olives,
potatoes, cauliflower and carrots – reflected the heartiness of my
soup. Contrary to the meaning of picadinho, the three meats were in
small, bite-sized chunks, not minced, and covered by the toasty-crisp
vegetables and large Spanish olives. There is a reason why Portuguese
restaurants do not put salt or pepper shakers on the table: It’s
already in every dish and every dish is perfectly seasoned. The size
of the dish was a bit large and I had my doubts about finishing it,
but with sips of wine and bits of bread, it eventually disappeared.
Choosing
a dessert was easy. Salame de Chocolate – dark chocolate, cookies,
almonds, butter, eggs and port wine, sliced like real salami – was
intriguing: it was chocolate, it was cookie, it was nutty and
definitely a new experience. I loved it. Accompanied by an espresso
and a glass of Calem late-bottled vintage port wine from the Douro
region, my Portuguese adventure came to a satisfying end.
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