TCM TiVo ALERT
For
June 23–June 30
DAVID’S
BEST BETS:
LA
STRADA (June 24, 2:15 a.m.):
One of legendary director Federico Fellini's finest films, and
probably his best known. La Strada is about a strongman
(played by Anthony Quinn) who purchases a young woman (the
incredibly-talented Giulietta Masina, Fellini's wife) from her
mother after the the woman's sister, who was the strongman's
assistant, dies. The movie tells of their life together with Quinn's
character, Zampano, prone to anger and Masin's character, Gelsomina,
naive but plucky and hopeful (similar to the role she
played in Nights of Cabiria three years later). During
their journey, they meet Il Matto (a wonderful performance by Richard
Basehart), a clown. The three join a traveling circus, and things
take a turn for the worse. While the story is compelling, it's
secondary to the performances and the film's underlying theme of
the fragile human psyche and ego of simple people who on the
surface seem to live simple lives. As with many Fellini films, much
is open to interpretation - we don't even know what year the
movie is supposed to take place - as he wants moviegoers to
think about what they see and experience, and perhaps help them
understand their own lives a bit better.
VILLAGE
OF THE DAMNED (June 28, 8
a.m.): An excellent sci-fi film in which one day all the people and
animals in an English town become unconscious, wake up and two months
later, all the female adults - and girls old enough to bare children
- are pregnant. They all give birth on the same day to some serious
white-looking kids. The children are geniuses, are able to read minds
and control others to do whatever they want, including murder and
suicide. As time passes, a professor from the village (played by
George Sanders, one of my favorite actors) decides he's going to
teach the mutant kids, who want to take over the world, to use their
powers for good. Of course, that doesn't work out. So the professor
plants a bomb to destroy the kids, and thinks of a brick wall in
order for the children to not read his mind. Films like this can
easily become stupid and cliche, but this one is special. Sanders is
fantastic and the kids are great. The special effects aren't that
special, but are extremely effective. It's a very entertaining horror
film.
ED’S
BEST BETS:
FIVE
MILLION YEARS TO EARTH (June 28, 4 p.m.): Every once in a
while a science fiction film comes along that doesn’t insult your
intelligence, but rather gives the audience something to ponder. This
is one of those films. Produced by Hammer Studios, it tells the story
of a projectile being found at an Underground station in London
undergoing renovation. Small ape-like skeletons are found next to the
projectile, which brings in scientists, among them Professor
Quartermass, who previously starred in two earlier (and excellent)
Hammer sci-fi films. As the projectile is discovered to be a
spaceship, questions now arise of how it got there and for what
purpose. Written by Nigel Kneale, who authored the two previous
Quartermass films, it keeps us both entertained and on the edge of
our seat, as Neale plumbs the depths of human psychology and our
historical unconscious to unravel the mystery. The cast is rather
unknown to Americans: Andrew Keir is Professor Quartermass, James
Donald (The Great Escape) is Professor Roney, and the lovely
Barbara Shelley is Roney’s assistant who plays an important role in
the unraveling of the mystery. Add it all together and this is a film
that no film buff can afford to miss.
SULLIVAN’S
TRAVELS (June 30, 8:00 p.m.): This film is rightly said to
be writer/director Preston Sturges’s masterpiece. John L. Sullivan
is a noted director of light musical fare such as Ants in Your
Plants of 1939 and Hey, Hey in the Hayloft. However, he
wants to make an Important Film, and he has one in mind, namely O
Brother, Where Art Thou, a leaden novel concerned with the
struggle between Capital and Labor. The studio execs pooh-pooh it,
noting that he grew up rich and never suffered. So, Sullivan sets out
to see how the other half lives, and ends up with far more than he
bargained for when everybody assumes he died. It’s both hilarious
and touching with many insights from Sturges into the human ego
versus the human condition. It’s best to record it to be seen again
later – and you will definitely want to see it again.
BAD
MOVIES WE LOVE … THE TWO MRS. CARROLLS (June 29, 12:00 a.m.)
Look
up the word “overwrought” in the dictionary and you will see a
still from this picture. At first sight, one would think that a
film starring Bogart, Stanwyck and Alexis Smith would be tremendous.
Well, it’s not. Though filmed in 1945, it took Warners two years to
release it to an unsuspecting public. Bogart stars as a nutso artist
who meets and falls in love with Stanwyck. One problem – he’s
married. So he paints his wife as the angel of death (subtle, huh?)
and then poisons her. Shortly afterward Babs is the new Mrs. Carroll.
Things are fine at first, but then Bogie meets Alexis Smith. He then
begins painting Stanwyck. Uh, oh. The laughs really come when Babs
realizes what’s going on and confronts Bogie. The result is an
all-out mugging-for-the camera fest as she discovers he’s a
pistachio and must fight for her life. Ham never came any better. If
it seems stagy it’s because it was based on a 1944 play and the
director wasn’t clever enough to make it look like more of a movie
than play. Nevertheless, it’s always interesting when three screen
idols make fools of themselves and it’s a Must See in our book. By
the way, look for a director cameo as a racetrack tout and Bogart’s
takeoff on his Casablanca line, “I have a feeling this is
going to be the beginning of a beautiful hatred.”
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