TCM TiVO ALERT
For
January 1 –January 7
DAVID’S BEST BETS:
HERE COMES MR.
JORDAN (January 2, 5:30 pm): A
very funny film about a boxer/amateur pilot Joe Pendleton (played by the
charming Robert Montgomery) who crashes his plane and is mistakenly taken to
heaven by angel. He survives, but the angel doesn't want him to suffer. A check
by the angel's boss, Mr. Jordan (played by the charming Claude Rains) show
Pendleton is correct. But by the time they go to put him back in his body, it's
too late. The body has been cremated. The angels have to find Pendleton another
body - one that can be a champion boxer. They find a rich guy who is killed by
his wife and his personal assistant who are lovers. This 1941 movie is a joy to
watch. Warren Beatty uses the exact same story (except he's a quarterback for
the then-Los Angeles Rams) with many of the same character names in the
excellent Heaven Can Wait in 1978. I haven't seen the 2001
remake, Down to Earth, with Chris Rock. But based on the reviews of
that film, I'm probably lucky.
GASLIGHT (January 7, 9:30 am): Those who pay attention
know I'm a huge fan of Joseph Cotten. The same can be said for Ingrid Bergman.
So when you get the two of them together - both in their acting primes - in
this 1944 thriller with an outstanding plot, the end result is a classic. I'm
not much of a Charles Boyer fan, but he is deliciously evil and conniving in
his role as Bergman's husband who is slowly and successfully driving her crazy.
Cotten is a Scotland Yard inspector who gets third billing, but steals many
scenes. This is also Angela Lansbury's film debut. She was 18 years old at the
time and plays a maid who's looking for the opportunity to get with Boyer and
shows no sympathy toward Bergman. To me, it's her best film role, and a rare
one in that she actually looks young. Seventeen years later, at the age of 35,
she'd play Elvis Presley's mother in Blue Hawaii. Elvis was 26 at
the time.
ED’S BEST BETS:
RIFIFI (January 1, 8:00 pm): It’s the greatest caper
movie ever made: So good, in fact, that its director, Jules Dassin, managed to
remake it into a smart, sophisticated comedy named Topkapi in
1964. However, Rififi is not a comedy. Besides being the best
caper movie it’s also the best French noir. The plot in a nutshell is that four
men plan the perfect crime, but being human, that which can go wrong will go
wrong, which happens in the aftermath of the crime, when the gang should be
happily splitting the loot. Look for director Dassin in the role of the
womanizing Cesar (under the name “Perlo Vita”). It’s a Must See and is
definitely a film to be viewed multiple times.
JACK ARNOLD NIGHT (January 4, 8:00 pm): Universal made some
of the best B-budget sci-fi in the 50s and Jack Arnold was the man responsible
for these wonderful films. The night begins with the classic The
Creature from the Black Lagoon. Then comes the underrated Tarantula,
followed by The Incredible Shrinking Man, boasting a script by
Richard Matheson based on his novel. And last comes the piece de
resistance: It Came From Outer Space, one of the most
intelligent sci-fi films ever made. A feast for the sci-fi fan, these films are
good enough to entertain even the non sci-fi fans among us.
WE DISAGREE ON ... SHE
WORE A YELLOW RIBBON (January 6, 6:00 pm)
ED: A. John Ford directed so many
great Westerns that one is at a loss to pick just one as his or her favorite.
And I’m not about to break stride, but this is one hell of a Western – one
helluva film. John Wayne is in fine form as a Calvary officer facing an Indian
uprising on the eve of his retirement. In a stretch for him, he plays a man
much older than his charges with a softer side to his character. (Watch for the
scene where he fumbles for his bifocals to read the inscription after accepting
a watch as his retirement gift.) And he’s actually good - well, as good as he’s
ever going to get, at any rate. And as long as John Agar is in the cast, Wayne
cannot be the worst actor. Look for familiar faces Victor McLaglen and Harry
Carey Jr. (who just passed away) providing support, as well as the great Western star, George O’Brien,
as Wayne’s commander. And if you look hard, that’s Fred Graham as Sergeant
Hench. Graham is well known to psychotronic movie fans for his role as the
sheriff in The Giant Gila Monster. At any rate this is a great
Western and it’s interesting to see Wayne try to break type.
DAVID:
B-. This
movie, a Western directed by the legendary John Ford, is beautifully filmed in
Technicolor with spectacular scenery. But the plot is flimsy at best and
the acting at times borders on the ridiculous. Regular readers know I consider
Katharine Hepburn to be the most overrated actress in the history of film. My
feelings about John Wayne as cinema's most overrated actor are about the same.
It's interesting that this is the first Wayne film to receive our "We
Disagree" treatment. While Ed enjoys a lot more Wayne films than I, he
recognizes his limitations. Ed's not going to give Wayne's True Grit an
A++. When Wayne is bad, he's awful. Wayne has moments - Stagecoach, The
Man Who Shot Liberty Valance and Red River, come to mind -
as a solid actor in great movies. I digress to give you some context for She
Wore a Yellow Ribbon. As I previously wrote, the scenery is incredible,
which counts for a lot because as far as Westerns go, this one is nearly devoid
of action. Ford could be a stickler for historic accuracy, but what is shown in
this film is largely a work of fiction. That's fine, but Wayne unconvincingly
playing a man much older than he, and the silly love story falls miserably
short in a movie with some of the most incredible cinematography you'll see.
It's pretty to see, but ugly to hear.
For the complete list of films on the TCM TiVo Alert, click here.
A very nice post indeed. Loved reading all the movie reviews, landed unknowingly on this blog but now I am thankful.about it. Will be watching all movies.
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