Dinner and a Movie
Carrie Me Back to Old Lasagna
Carrie Me Back to Old Lasagna
By Steve Herte
After 16 days of furlough it was almost good to get back into the office (I never thought I would even think that) and Thursday was solid work. Friday, the anticipation of my movie and dinner plans got me through the entire day of attempting and failing to input the timesheets. The system was overloaded (several areas input them on Thursdays but it wasn’t available then) with the entire country trying at once.
Still,
I’m glad the nonsense is over - at least until January 15th, when
it all starts over again - and I can live my normal life. Enjoy!
Carrie
(MGM, 2013) – Director: Kimberly Peirce. Writers:
Lawrence D. Cohen & Roberto Aguirre Sacasa (s/p). From the novel
by Stephen King. Cast: Julianne Moore, Chloe Grace Moretz, Gabriella
Wilde, Portia Doubleday, Judy Greer, Barry Shabaka Henley, Ansel
Elgort, & Alex Russell. Color, 100 minutes.
Being
a constant reader and a “can’t get enough of Stephen King” fan
I found this latest remake of the 1976 original (yes, I’m counting
the failed Broadway musical) served as an Alpha and Omega opportunity
for me. As I’m currently 85 pages short of finishing King’s
newest book, Doctor Sleep, it seemed appropriate to see
his first successful story (1974) told anew. This version opens to
the agonized groans and wailings of Margaret White (Moore). We enter
the house and slowly climb the stairs to witness Margaret giving
birth to her daughter alone in the bedroom. Blood is everywhere.
Carrie is born and her mother slowly pulls up the skirt of her
nightgown seemingly expecting something horrific that must be killed
(she has her dress-maker shears at the ready) but she relents and
caresses the child.
The
next scene shows Carrie (Moretz) as a painfully shy, naive high
school senior. She has no friends and serves as the butt of all the
other girls’ (and boys’) jokes. Per the original story, one day
in the showers after gym class she experiences the shock of her first
menstrual period and goes into a panic thinking she’s dying. The
other girls under the leadership of Chris Hargensen (Doubleday) laugh
at her and taunt her, throwing tampons at her while chanting, “plug
it up!” Chris even makes a video of it on her I-Phone – later
posting it online.
Ms. Desjardin, the gym teacher (Greer) comes to
Carrie’s rescue and takes her to Principal Morton (Henley) who,
despite protests from Carrie (she causes the globe of the
water-cooler to smash), calls her mother to come pick her up.
Carrie’s mother – a raving religious fanatic – calls the
episode, “the curse of blood because of the sin of Eve.” She
locks Carrie into the windowless closet below the stairs to “pray
for salvation.” None of Carrie’s frantic cries can dissuade her
until, suddenly, the door is split down the middle! It holds
nevertheless, leaving Carrie to wonder about the cause.
Excused
from gym to study hall Carrie reads several books on telekinesis and
discovers her power. Meanwhile, the gym teacher gives the other girls
a lecture on the football field and doles out a punishment of running
and exercises with the threat of suspension and exclusion from the
prom for non-compliance. Chris refuses to comply, tries to recruit
the others to follow her and fails, and is suspended. Her best friend
Sue Snell (Wilde) feels sorry for Carrie and convinces her boyfriend
Tommy Ross (Elgort) to invite Carrie to the prom in an effort to
atone for what happened in the showers. Even though Carrie suspects
trickery, she eventually accepts Tommy’s invitation and after
demonstrating her power to her mother – she levitates all of the
furniture in the living room and slams it down – prepares herself
for the occasion.
Chris
hatches a plan with her boyfriend Billy Nolan (Russell) to totally
humiliate Carrie at the prom by filling a bucket with pig’s blood
poised to dowse her when she and Tommy win King and Queen in a rigged
election. Little does she know how dire the consequences of her
actions will be?
It
would not be fair to compare the performances of Moore and Moretz to
those of Piper Laurie and Sissy Spacek: they each did an excellent
job in both versions. Under the direction of Peirce, the 2013 movie
still holds the audience in suspense, even though the King fans know
what will happen next (sort of). Marco Beltrami’s music further
enhances the goings-on by adding palpable tension to every scene. The
screenplay is faithful to the original book with a only a few
updates, which do not detract from it and (of course) special effects
– not available in 1976 – that contribute beautifully to the
exciting final scenes. I particularly liked the sparking live wires
striking like cobras at the prom goers. The new Carrie will
not suffer the “why did they have to remake that movie?” comments
and stands firmly as a new viewpoint. I can even see a few Oscar
nominations coming. Rating: 4
out of 5 Martini glasses.
Lasagna
Ristorante
941
Second Avenue (corner of 50th Street),
New York
If
I haven’t said this before, I LOVE lasagna! Only Garfield the Cat
loves it more. Ever since I learned of the existence of Lasagna
Ristorante I’ve been scheming how and when to visit. The online
photos of the restaurant, beautiful as they are, do not prepare you
for its actual appearance.
The tasteful black awnings with white
script lettering protect the charming wrap-around sidewalk café on
the corner of 50th and 2nd while the
golden glow of the interior lights shine through the fully glassed
exterior. Inside, the young woman at the Captain’s Station (who
obviously also dines there) asked me if I would like to dine outside.
“Too chilly” was my response and she graciously led me to a table
in the back just beyond the kitchen, which was perfect.
One
of two Lasagna restaurants (the other is on 20th Street
and 8th Avenue) open since 1993, this charming eatery
boasts 17 different lasagna dishes, vegetarian, meat and seafood
included. When my waiter (who simply went by the initials “NJ”)
brought me my water and the menu, he took my Stolichnaya martini
order (they didn’t have Beefeaters, so I was little more “James
Bond” that evening). I sipped the martini while reading the
two-page menu and single-sheet specials list. Not only was there the
intoxicating list of lasagnas, but also Appetizers, Soups, Salads,
“Pastas of All Nations,” and Chicken, Veal and Seafood entrées.
I had to cover the main course page with the specials list to avoid
seeing the Penne Jambalaya, the Saltimbocca Alla Romana (my perennial
favorite Italian dish) and the Salmon Alla Calabrese. I was here for
lasagna and NJ helped me create a three-course dinner. The wine list
featured several good wines at very reasonable prices and I chose the
2012 Bolla Valpolicella – excellent!
NJ
presented me with the breadbasket, four pieces of crusty garlic bread
made with green olive oil that were simply wonderful. I started with
a bowl of Stracciatella Fiorentina, a nice hot bowl of egg whites and
spinach in a delicate chicken broth. It’s been a long time since
I’ve this particular soup prepared with such care.
It
was followed by the Caesar Salad, a plate of crisp greens and even
crisper croutons in a Caesar dressing. It was a little lighter on the
main ingredient, garlic, than I would have preferred. I laughingly
told NJ that the garlic bread has more garlic than the Caesar
dressing and we both had a chuckle over it.
Choosing
a lasagna from 17 appetizing recipes was not easy until I noticed
number 17, “Create Your Own Lasagna.” When NJ explained what I
could do, I combined the Ground Veal with the Hearts of Artichoke
Lasagnas and was transported straight to Heaven. It was a good inch
thick, two inches wide and about seven inches long served in an
oblong white ceramic bowl just a little larger to fit it in.
The top
was just the right crispness from baking and the inside was piping
hot. The first bite was ecstasy. As Garfield would describe it, “the
miracle that is lasagna!” A gentleman dining at the next table must
have seen the sheer pleasure on my face, because as he left he
commented to me that he loved seeing someone enjoy their meal as much
as I did. There was not a scrap left of either the lasagna or the
bread at the end.
And
yet, there was room for dessert. “Tiramisu” said NJ. “Just
that?” “The BEST!” “OK, bring the tiramisu.” The
beautifully formed layered dessert was simply presented on a round
dessert dish. It was topped with chocolate dust, firm enough to cut
with a fork, but moist enough to melt in your mouth. NJ was not
lying. The double espresso almost paled in comparison, but the
healthy portion of grappa in its snifter was the crowning touch to
the meal.
Lasagna
Ristorante deserves not just one but several return visits, if not
for the Prosciutto, Eggplant, or Crab Meat Lasagna, but for the many
alluring main courses. Don’t worry, I’ll pace myself.
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