TCM
TiVo ALERT
For
September
1–September 7
DAVID'S
BEST BETS:
2001:
A SPACE ODYSSEY (September
2, 8:00 pm): It's one of the most visually-stunning and fascinating
films every made. 2001:
A Space Odyssey is
the story of man from pre-evolution to a trip to Jupiter, and how
superior beings on that mysterious planet made it all possible. The
storyline is fascinating and the ending is very much open to
interpretation, which makes the film even more compelling. The
interaction between astronaut David Bowman (Keir Dullea) and the HAL
9000 computer that controls the spaceship and has a mind of its own
reflects how mankind has experienced gains and losses through the use
of advanced technology. The cinematography, special effects and
music take this film to a special level.
ROPE (September
3, 6:15 pm): While it's not Alfred Hitchcock's best film, that's a
pretty high bar and would likely be the finest of many directors. The
film is a testament to Hitchcock's talent with compelling
performances from James Stewart and Farley Granger. It's also
innovative and creative with Hitch creating the illusion of a
continuous movie through the use of long takes. It's an interesting
filmmaking exercise and one worth watching for its innovative style
and how getting away with the "perfect crime" isn't so
easy.
ED'S
BEST BETS:
BEACH
PARTY (September 1, 8:00 pm): It’s the original,
with Frankie and Annette, and set the tone for the sequels that
followed: Frankie and Annette arrive, they fight, they separate, they
try to make each other jealous, and at the end get back together. Bob
Cummings steals the picture (not there’s that much to steal) as a
nerdy anthropologist studying teenage mating rituals. With Harvey
Lembeck as Eric Von Zipper, inept motorcycle gang leader, and Morey
Amsterdam. Dick Dale and the Deltones prove why they are the kings of
surf music. Sit back, put the brain on hold, and just enjoy.
THEM! (September
2, 4:15 pm): Not only is this the best of the “big bug” films
that came out in the 1950’s, but it also has elements of a noir
mystery. And if that wasn’t enough, it’s
also one of the best “Red Scare” films of the period. The cast is
terrific: James Whitmore, pre-Gunsmoke James Arness,
veteran supporting actor Onslow Stevens, promising actress Joan
Weldon, a young Fess Parker, and the great Edmund Gwenn. And look
sharp for a very young Leonard Nimoy in a small role. It’s proof
that when a sci-fi film is made intelligently, it’s a legitimate
classic.
WE
DISAGREE ON ... BABY DOLL (September 7, 6:00 am)
ED:
B+. When I was a teenager I remember taking
out a book on movies from the library and running across a photo of
Carroll Baker from this film, curled up in a crib and sucking her
thumb. Reading the description of the movie described as racy, lewd,
suggestive, and morally repellent by The Legion of Decency, I knew
right then and there that someday I would have to find this film and
watch it. Hot stuff! And directed by Elia Kazan with a screenplay by
Tennessee Williams – Wow! After years of forgetting, I finally
rented it in the ‘80s. I was disappointed by how tame it was, but
thinking back to when it was made, I realized just why it had
outraged so many. It boasts a good cast, with Karl Malden as Baker’s
witless husband, who has to wait until his child reaches the age of
20 before he can deflower her. Into the mix comes swarthy Eli Wallach
at his slimiest best as Malden’s business rival, and guess who he’s
after? The fireworks between Malden and Wallach still retain their
punch; Tennessee Williams had few peers when it came to the
underbelly of Southern life.
DAVID:
C-. I admit
that the subject matter of Baby
Doll makes me
somewhat uncomfortable. But if the film was better, I'd deal with it.
Carroll Baker's Baby Doll character is 19 and about to turn 20, but
she acts like a little girl, sleeping in a crib sucking her thumb.
She's the virgin bride of Karl Malden, an older redneck who. after
two years of marriage, is about to have sex for the first time with
his wife. Along comes Eli Wallach, Malden's cotton gin rival. He
tries to seduce Baby Doll to have sex with her and to exact revenge
against Malden, who burned down Wallach's new gin. The film is dull,
poorly written (just because the screenplay is by Tennessee Williams
doesn't mean it's automatically good), highly overrated and way too
long at nearly two hours in length. While Baker's performance is
good, the role is ridiculous. Malden is fine, but Wallach is bad. The
plot was racy for its time, 1956, with a script designed to shock.
Yes, it's shocking, but that seems to be the film's only goal. It's
not that entertaining or interesting. I watch movies to either be
entertained or interested. That's why I rate this film as only a C-.
For the complete list of films on the TCM TiVo Alert, click here.
For the complete list of films on the TCM TiVo Alert, click here.
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