By
Steve Herte
A
Wrinkle in Time (Walt Disney, 2018) –
Director: Ave DuVernay. Writers: Jennifer Lee, Jeff Stockwell (s/p).
Madeleine L’Engle (novel). Stars: Storm Reid, Oprah Winfrey, Reese
Witherspoon, Mindy Kaling, Levi Miller, Deric McCabe, Chris Pine,
Gugu Mbatha-Raw, Zach Galifianakis, Michael Peña, André Holland,
Rowan Blanchard, Bellamy Young, David Oyelowo & Conrad Roberts.
Color, Rated PG, 109 minutes.
Up to this point in
my life I had never seen Oprah Winfrey act in a movie.
My guess is that the
script didn’t give her enough to work with or she didn’t achieve
her motivation. She was never more than distantly pedantic,
flat-lined emotionally. No up, no down. The movie kept its promise of
a colorful special effects ride and there were a few surprises along
the way but in general, I found Willy Wonka and the Chocolate
Factory (1971) to be infinitely more believable.
The protagonist is a
young girl. Meg Murry (Reid) has the capability – has proven so –
to be an “A” student at school but has devolved into unpopularity
and low grades after the disappearance of her astrophysicist father,
Dr. Alex Murry (Pine). He and his equally brilliant scientist wife
Kate (Mbatha-Raw) performed the calculations and unveiled the concept
of traveling between worlds in the universe using a tesseract way too
soon for the scientific community to accept except with laughter. In
my movie experience I thought a tesseract was something you would
discover at the center of a black hole (see Interstellar -
2015) with many doorways to different times and worlds. But that’s
just one way of looking at it. Alex uses no spaceship or a black hole
to access the tesseract, only his mind. Whoops, there goes belief!
Alex has been gone
for four years now and girls at school led by Veronica Kiley
(Blanchard) – oddly enough, Meg’s next-door neighbor - mock and
bully Meg saying her Dad left because of her and is not coming back.
Only heart throb Calvin O’Keefe (Miller) believes and befriends
poor Meg.
The movie stays
pretty close to the book but only leaves out Meg’s twin
ten-year-old brothers. It keeps her youngest (adopted) brother
Charles Wallace, who is wise and intelligent beyond his young years.
This character gives the best performance in the film, but I cannot
be sure because Deric had six doubles in the cast. Let’s say the
composite acting was great. Storm stays true to her name. She’s
stormy in the beginning but sun-shiny towards the end. A nice gradual
transition.
As the book begins
“one stormy night…” Meg, her mother and Charles Wallace are
visited by a mysterious redhead dressed in dazzling white, who
introduces herself as Mrs. Whatsit (Witherspoon). Despite Mrs.
Murry’s concerns about a home invasion, Whatsit declares that her
theory about a tesseract is correct. Ms. Witherspoon’s performance
is so over-the-top (think Billie Burke in The Wizard of Oz -
1939) that she makes the other characters seem dull in
comparison.
Later, Charles
Wallace boldly runs up to and enters an “abandoned” house
followed by a concerned Meg and Calvin, where they meet Mrs. Who
(Kaling) in a room full of crazily stacked books that look like they
will topple at any moment. Mrs. Who is busily stitching a quilt and
lovingly greets the children. Speaking all in quotes and sometimes
unintelligibly, she tires out like the dormouse in Alice in
Wonderland and the children have to leave her house.
It’s not until the
three children meet all three Mrs. in the Murry backyard that we meet
Mrs. Which (Winfrey), a glam-rock 50-foot woman. Hope is stoked
that Meg’s and Charles Wallace’s father is alive but trapped
somewhere out there and the children have to travel using the
tesseract to bring him back. This is where the special effects crew
takes over and the costume, make-up and hairstylists go into
overdrive. They travel to a planet populated by animated flowers to
ask for directions. “Flowers are the biggest gossips around!.”
Mrs. Whatsit. Mrs. Whatsit transforms herself into a large flying
Leaf Creature and takes off with the children on her back on a wild
roller-coaster ride through the sky. Calvin falls off when they
encounter a writhing black thing identified as “The IT” and has
to be rescued by the flowers.
Using the tesseract
again, everyone travels to see an Oracle with the improbable name the
Happy Medium (Galifianakis) who manages to put Meg’s thoughts back
in balance (while also balancing on a teetering rock, standing on one
foot) and reveals that her Dad is being held by The It (Oyelowo).
Mrs. Which explains that the It is an evil negative force
infiltrating the universe and causing people “of the light” to
turn to darkness. “The only thing faster than light is the
darkness.”
They travel to the
planet Camazotz where Who, Whatsit and Which cannot stay and, giving
them “gifts” leave them on their own to seek out and rescue Alex
Murry. Though they are advised to trust no one and nothing they see,
Calvin tries eating a hero sandwich made of sand and Charles Wallace
is taken into thrall of The It by Red (Peῆa}, a garishly dressed
con-artist with red eyes.
Ultimately, it’s
up to Meg to save everybody as her brother literally becomes The It
and does his best acting performance. Chris Pine was able to prove
that there are no small parts…etc. He made the best of what he was
given.
Among the best thing
I can say about A Wrinkle in Time is that it never
slowed down. The somber scenes were never too long and there were no
dead spots. The acting in general did not keep pace with the special
effects except for Zach and Reese, who managed to gallop ahead of it.
The movie is geared
mostly to children and I might think anyone above the age of toddler
would be entertained by it, though there were none in my audience.
The soundtrack featured a song by Sade and made a beautiful
accompaniment to the visuals. Mrs. Whatsit’s transformation was the
best special effect I’ve seen in a while. I enjoyed the movie and
was thrilled at the moment of pathos, but a film cannot win on pathos
alone.
Rating: 3 out of
5 martini glasses.
DaDong
3 Bryant Park,
New York
Tucked away on a
breezeway between the building housing number 4 and other tall
buildings is where I found this eatery.
The entrance is
dominated by its name in bright blue light. Inside, a receptionist
confirmed my reservation and directed me to the elevator to the
second floor, where is where the Captain’s station is. It is well
lit and the high ceilings have lit panels with sensuously moving
liquid patterns. The large rectangular bar is in the center of the
room surmounted by dozens of amber glass tubes strung from wires
attached to the ceiling. It reminded me of the décor at the
restaurant in the Hyatt Regency except the tubes there are some kind
of shiny silver metal.
I was led to a high
table in one corner of the bar whose stool looked comfortably padded
and had a back support, so I didn’t complain. I’m used to eager
service in Chinese restaurants and my server did not disappoint,
asking me if I wanted a cocktail even before I had read the list.
Eventually I chose the Famous Wardrobes Cocktail – Palo
Santo-infused Hudson Rye, Forthave Marseille Amaro, dry and sweet
vermouth – dedicated to C. S. Lewis. All the drinks were associated
with someone famous who was born in the Chinese Year of the Dog.
Though the preferences I communicated were “strong” and “spicy,”
this drink was neither. It was smooth and herbal (garnished with a
sprig of rosemary), and pleasant.
My wine was the 2014
Saffer Wines “Smiley” Chenin Blanc, Swaartland, South Africa. It
has a dramatic spicy nose and is a superior Chenin Blanc. Crisp,
buttery, with some citrus, an authoritative white wine.
My first course was
one I had hitherto avoided up until now. Though a bit pricey, the
DaDong braised Sea Cucumber with young wheat grains and leeks looked
like something a Klingon might eat on Star Trek, but it smelled
heavenly and tasted even better. The delicate meat of this black
mollusk was akin to the texture of sweetbreads, but a little softer.
The flavor was a savory mix of soy, garlic and an almost earthy,
mushroom-y accent. It also was complimented generously by the wine.
Next was an equally
pricey dish with which I was more familiar: Truffle Braised Whole
Abalone with Chinese iron yam and slices of ginger. Though a little
chewy in texture they were as delicious and meaty as my first memory
of the shellfish. The Chinese Iron Yams are not related to the sweet
potatoes we know as yams but are shaped more like carrots and were
sliced into short cylinders. They had a subtle flavor of their own
and melted in the mouth.
There were only a
few seafood main courses available and so I ordered the Baked Chilean
Bass filleted with pink peppercorns and roasted garlic. Again, the
now familiar red iron crock pot arrived filled with flakey, delicate
chunks of fish resting on Chinese green vegetables and supported by
dozens of baked garlic cloves. The fish was so tender it was
difficult to pick up with chopsticks without breaking, but I managed.
It was wonderful. The side dish was Sautéed Bean Sprouts and Green
Chilies, two sections of tender, white bean sprouts flanking
julienned green chili peppers. The crunch of the mildly flavored
sprouts was enhanced by the soft spice of the chilies. A little bit
of white rice in a separate bowl was all that was left of my meal at
the end.
It was time for
dessert. The couple at the next table were eating the dessert called
“Frost” – chocolate leaves with candied cherries – but it
didn’t lure me. I ordered the Multi-flavor White Chocolate Shells.
The presentation was everything. On a large white plate these
scallop-shell confections were strewn in a semi-circle with pearls of
tapioca like shells on a beach, confectioner’s sugar masquerading
as the sand. Some tasted like fruit, some tasted like wasabi and some
were just creamy chocolate.
Open
only since December 2017, I understand why DaDong is big in Chef
Dong’s hometown of Beijing. On a special occasion it’s a very
impressive place to dine. In warmer weather, they have an outdoor
garden on the second floor as well as an outdoor terrace on the third
floor.
For the Dinner and a Movie archive, click here.
For the Dinner and a Movie archive, click here.
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