Mel’s
Cine-Files
By
Melissa Agar
Bad
Grandpa (Paramount, 2013) – Director: Jeff
Tremaine. Writers: Fax Bahr (story), Adam Small (story), Spike Jonze
(story, s/p), Johnny Knoxville (story, s/p), Jeff Tremaine (Story,
s/p). Cast: Johnny Knoxville, Jackson Nicoll, Greg Harris, Georgina
Cates, & Kamber Hejlik. Color, 92 minutes.
I
am a 42-year-old woman. I love independent film and theatre. I am
counting down the days to the next series of Downton Abbey
premieres on PBS. I do, however, harbor a secret. Despite some of
my more refined tastes, there is a 12-year-old boy who occupies some
real estate in my brain and who makes me laugh at the dumbest, most
puerile things. I often find myself laughing at the silliest stuff,
and don’t get me started at my helplessness in the face of a good
dirty joke. It was this 12-year-old boy who compelled me to go
see Bad Grandpa even though I bought the ticket with
shame in my voice. It was also the 12-year-old boy who nearly gave
the 42-year-old woman an asthma attack from laughing so hard at this
silly, juvenile comedy.
Bad
Grandpa is a hidden camera comedy following the adventures
of the elderly Irving Zisman (Knoxville) and his grandson, Billy
(Nicoll). Irving’s wife has died, and the widower is looking
forward to getting back out there and enjoying his independence in
his pursuit of a “little tail.” His plans are thrown off track,
though, when his daughter shows up at the funeral and tells her
father that because she is in trouble with the law again, he will
need to drive her son to the boy’s father in North Carolina.
The
duo gets into Irving’s old car and head from Nebraska to North
Carolina. Along the way, they meet a bevy of unsuspecting real people
who get pulled into their shenanigans, whether it’s the clerks at a
Mailboxes Etc. type store who are shocked to discover Irving trying
to mail his grandson to North Carolina, the restaurant patrons who
are audience to their fart contest, or the moms and contestants at a
beauty pageant. As they travel, Irving and Billy develop a bond that
leaves both of them wondering if perhaps leaving Billy with his dad
is the right thing to do. And oh yeah, Irving’s dead wife is riding
around in the trunk of the car.
I’m
almost ashamed at how hard this movie made me laugh. I could feel my
empathy trying to kick in as the stunts Irving and Billy pull grow
more and more demented. At the same time, as twisted as the pranks
pulled were, they also illuminated something pretty fabulous about
human nature. Unlike a film like Borat, which served to
demonstrate how ignorant and intolerant people could be, Bad
Grandpa illustrates an opposite thesis: when faced with
absurd circumstances, people, for the most part, react with
tremendous patience, tact, and even kindness. They will stop and tie
a little boy’s shoe. They will help a drunken old man being pushed
in a shopping cart by a little boy. They will offer a little boy a
ride home even after he’s asked what their stripper names are. They
will smile and graciously deflect an old man’s attempts to flirt.
The
argument could be made that we’re more wired to be patient with
children and the elderly than, say, a crass Eastern European man, but
there is still something relatively enlightening to see people in
this patient and ultimately good-humored light. All of these people,
after all, had to sign releases to allow their faces to appear in the
film. (Less enlightening, of course, is how prone people are to
turning a blind eye. I am hoping the producers of the film edited out
appearances by the police following, for example, Irving and Billy
carrying Grandma’s corpse into a hotel room or the duo sitting on a
park bench drinking beer.)
As
funny as the stunts and pranks are in this film, I was surprised at
the heart that beats at its core. Irving and Billy are a charming
duo, and the growth of their bond throughout the film is sweet
despite being wrapped in raunch. Knoxville and Nicoll have a strong
chemistry, and there are times when it is clear that Knoxville is as
charmed by Nicoll as Irving is by Billy. The boy’s delight in their
pranks is infectious and helps get the audience on his side rather
than sympathizing with their hapless “victims.”
At
the end of the day, Bad Grandpa is not great cinema.
It won’t earn its creators a shelf-full of awards outside of an MTV
Movie Award or two. It is, however, a mindless way to spend an
afternoon at the movies and a good tonic to some of the deeper and
more challenging films that have occupied screens this fall. The
12-year-old boy made a good call in reminding the 42-year-old woman
that sometimes a good, hard, silly laugh is just as rewarding as a
haunting, thought-provoking film. For a kid, he’s got some great
ideas.
Grade: B.
What a great review! It makes me want to see it.
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