TCM
TiVo ALERT
For
April
23–April 30
DAVID’S
BEST BETS:
OUT
OF THE FOG (April 23, 6:30
pm): They Made Me a
Criminal (1939) brought the
great John Garfield to the attention of movie fans. Two years
later, Out of the Fog proved
that with the proper script, Garfield was among the elite actors of
his era - an era that included Humphrey Bogart, Joseph Cotten, Cary
Grant, James Stewart and Orson Welles. In this film, Garfield plays
Harold Goff, a sadistic gangster who demands protection money from
fishermen at a Brooklyn pier. He is incredibly cruel yet also
charming as he falls for the daughter, played by Ida Lupino, of one
of the fishermen he is terrorizing. It's one of Warner Brothers' best
gritty film noirs. There is nothing likable about Goff, but you won't
be able to stop watching until you see how he gets it in the end.
THE
APARTMENT (April
24, 8:00 pm): Director Billy Wilder's follow-up to the overrated Some
Like It Hot, this
wonderful comedy-drama stars Jack Lemmon as an opportunistic office
worker who sort of sleeps his way to the top. Well, he lets his
office managers use his apartment as a place to have sex with their
various mistresses. Because of that, he gets promoted to the
personnel department, where his supervisor, Fred MacMurray, so
deliciously sleazy in this role, convinces his new assistant to let
him have the apartment on an exclusive basis. MacMurray's latest
mistress is the company's elevator operator (Shirley MacLaine), who
Lemmon likes a lot, but doesn't say anything to her. A fabulous
cast with one of Hollywood's best directors and an intelligent, funny
script, and you have 1960's Oscar winner for Best Picture. It was
nominated for nine others, winning four of
those. Incredibly, MacMurray wasn't even nominated for Best
Supporting Actor.
ED’S
BEST BETS:
THE
CREEPING UNKNOWN (April 28, 8:00 pm): The first in
Hammer’s Quartermass Trilogy, starring Brian Donlevy as Professor
Quartermass. He has just shot a manned rocket into space, but when it
crashes upon return, one of the astronauts is missing and the other
is in bad shape. The surviving astronaut, played well by Richard
Wordsworth, has been infected by an alien fungus that is slowly
changing him into a version of itself. A wonderfully creepy, tense,
well-written and well-acted film based on the hit BBC miniseries by
Nigel Kneale. Look for Jane Asher as a young girl Wordsworth
encounters while on the run from the hospital.
THE
EARRINGS OF MADAME DE (April 29, 2:00 am): The films
of Max Ophuls are noted for their subtlety, and this film is a prime
example. Taking a simple premiss, that of a French woman whose series
of white lies does her in, Ophuls raises it to the level of high
tragedy. although it opened in the U.S. to mild praise, the film is
viewed today as one of the greatest gems of movie history, and
perhaps the acme of Ophuls’ career. Of course, a good cast helps,
and Ophuls has a terrific one with Charles Boyer, Danielle Darrieux
and Vittorio De Sica as his leads. Ophuls is in his element here,
painstakingly designing mies-en-scenes that frame and define his
characters, and combining that with close-ups that allow us some
psychological insight into the characters. The plot is beautifully
staged, opening and closing on the consideration of the eponymous
piece of jewelry that passes from owner to owner until returning to
Darrieux. This is a film of charm and beauty with a marvelous subtext
of the pain that goes hand in hand with vanity and which no amount of
lies can cover or explain.
WE
AGREE ON ... THE WRONG BOX (April 26, 1:30 am)
ED:
A. The Wrong Box is
a beautifully constructed dark comedy centered around two brothers,
Masterman Finsbury (John Mills) and Joseph Finsbury (Ralph
Richardson), who are the last survivors of a tontine investment
scheme. Whoever outlives the other will inherit the entire fortune. A
tontine usually doesn’t work like this. Usually, each member gets a
regular annuity payment which increases over time as investment
members die. But then it wouldn’t be funny; having the last
survivor get it all leads to all sorts of comic shenanigans. The
brothers haven’t spoken for 40 years, despite living next to each
other. When Masterman, who is desperately poor, learns he and his
brother are the last two survivors, he plans to kill him and claim
the money. Also complicating matters is Michael Caine as Michael,
Masterman’s grandson, who falls in love with Joseph’s
granddaughter, played by Nanette Newman. Peter Cook and Dudley Moore
are also aboard as Michael’s greedy cousins who are also after the
fortune. However, it’s Peter Sellers, in a minor role as befuddled
and bumbling Doctor Pratt. Although he has only two scenes, he nearly
walks away with the picture, turning a couple of routine criminal
encounters in his office, which is loaded with cats, into a full
blown comedy of errors. At its heart, The Wrong Box is
a delightful farce, backed by a superior script and loaded with
outstanding performances, especially from Mills and Richardson. It
also has what most farces lack: restraint, subtlety and a sly
underlying wit.
DAVID:
A. Ed
perfectly describes the plot so there's no need for me to restate it.
It's an exceptionally funny dark comedy featuring some of the best
British comedians of the era – notably Dudley Moore and Peter Cook,
who were a legendary team, and the always brilliant Peter Sellers –
along with excellent "serious" actors – in particular
Ralph Richardson, Michael Caine and John Mills – who show their
comedic talent. The 1966 film is an adaption of an 1889 book. While
the film has a detailed absurd plot, it is the quips and sight gags
that make me laugh out loud every few minutes. Because the plot is so
outrageous, it's a testament to the actors that they're able to show
some restraint as to not let the film's story spiral out of control.
If you haven't seen it or it's been a few years since your last
viewing, you owe it to yourself to watch it. If you've seen this film
a few times, well, I don't need to convince you to watch it again.
For the complete list of films on the TCM TiVo Alert, click here.
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