TCM
TiVo ALERT
For
April
8–April 14
DAVID’S
BEST BETS:
DR.
JEKYLL AND MR. HYDE (April
12, 8:00 pm): This lush MGM remake features incredible
performances by Spencer Tracy as the title characters and Ingrid
Bergman as Ivy, Hyde's abused girlfriend. The film is about two hours
in length, but is done so well that the film flies by. Its
sexual situations were restricted by the Hays Code, but we still get
the picture. And while the violence is largely implied, it's done
exceptionally well. It's been criticized by some – at one time I
wasn't much of a fan – but it is an excellent film.
ON
BORROWED TIME (April
14, 6:00 am): Like he did in numerous movies, Lionel
Barrymore plays a grumpy old wheelchair-bound man (Gramps).
He's raising his grandson, Pud (played by Bobs Watson; yeah Bobs as
in more than one Bob), in this one. Pud's mother and father die
in a car accident before the film starts, and his aunt wants to raise
him, primarily to get her hands on the money left to the boy by his
parents. But Pud and Gramps can't stand her, see right through
her, and share an exceptionally close bond. Gramps has an apple
tree and the fruit is constantly being stolen so he makes a wish that
anybody climbing the tree gets stuck up there until he permits them
to come down. Well, Death (masterfully played by Cedric Hardwicke)
comes calling for Gramps and is tricked into climbing up the tree.
Not only can't he take Gramps, but he can't take anyone
else. The aunt thinks Gramps is crazy and sees this as an opportunity
to get him committed and have Pud – and his money – for
herself. As the movie progresses, Death tricks Pud into climbing the
tree with disastrous results. Just thinking about
the film's conclusion gives me chills. On
Borrowed Time has
a wonderful storyline, with many funny scenes, as well as a loving
and touching message.
ED’S
BEST BETS:
SUNSET
BOULEVARD (April 9, 8:00 pm): Billy Wilder has made
many excellent films over the years, but this may just be his
masterpiece. Joe Gillis (William Holden), a down-on-his-luck
screenwriter, escaping from the repo men, has the dubious fortune of
parking his car at the estate of faded silent film star Norma Desmond
(Gloria Swanson). Norma is lost in the dreams and memories of her
former glory as one of Hollywood’s biggest stars. Though at first
hostile, Norma warms to Gillis when she discovers he’s a
screenwriter and wants him to work on the script for her comeback
film. Desperate for money, Gillis agrees, and soon becomes a kept
man, discovering that Norma is so possessive that it becomes
impossible for him. Erich Von Stroheim is Norma’s butler, and
former director and husband. When Norma discovers Joe has fallen in
love with fellow screenwriter Betty Schaefer (Nancy Olson), Joe in
turn discovers that hell hath no fury like a former Hollywood goddess
scorned. The film has been hailed by critics as the definitive
insider portrait of Hollywood, sort of a Hollywood Babylon in
just under two hours. In one word, it is sublime. Gloria Swanson
gives the performance of a lifetime, and today is remembered among
film buffs not for her many silent triumphs, but for her performance
in this film.
THE
ADVENTURES OF ROBIN HOOD (April 11, 8:00 pm): Ever
watch a film that just makes you feel better after it’s over?
That’s exactly the case with this movie. When one looks up the term
“action picture,” a still from this film should be under the
definition. Quite simply, this is the role Errol Flynn was born to
play, and he’s quite good in it. Give him such villains to
play against as Claude Rains and Basil Rathbone, and this film just
can’t be beaten. Olivia de Havilland shines as Maid Marian, with
Una O’Connor and Herbert Mundin in fine form as the comic relief.
The best thing about the film is its refusal to take itself
seriously, which amps up our enjoyment even more. Michael Curtiz
directed with a nearly flawless style. It’s simply one of those
rare films I can watch over and over without growing bored.
WE
DISAGREE ON ... CAPTAIN BLOOD (April 11, 10:00 pm)
ED.
B. Captain Blood is a solid adventure
with great performances from its cast, including Errol Flynn in his
first swashbuckler, Olivia de Havilland as his leading lady, Lionel
Atwill and Basil Rathbone as the heels, and that wonderful Warner’s
stock company in support. The only fault, and that which prevents a
higher grade, is the rather primitive way it’s presented. The use
of title cards makes it almost seem as if it were made in the silent
era or as an early talkie. This is 1935, and sound recording had been
mastered. Perhaps the reason was due to it being a low-budget
production; Errol Flynn and Olivia de Havilland were unknowns at this
time. Note the difference in production values between this film and
later Flynn adventures. Otherwise, it’s a great way to spend one’s
time.
DAVID:
A. The movie that launched the career of Errol
Flynn as a swashbuckling icon is not only historically important, but
is an excellent film. The cast is top-notch with Olivia de Havilland,
Basil Rathbone, Guy Kibbee and Lionel Atwill. Flynn is Dr. Peter
Blood, condemned to a Jamaican plantation to serve out a sentence for
treating an English rebel. When the Spanish invade Jamaica, the fun
and the action begins. Blood leads a prison rebellion with the men
stealing a Spanish ship – the Spaniards are busy looting the town –
and later the French on his way to becoming a hero when England is
overthrown by William of Orange. Flynn is as dashing as you'll see
him on screen showing great charisma during the fight scenes, though
he needed work at times with dialogue. There's no arguing that it's a
low-budget film. It was so low budget that stock footage from silent
films were used. However, I strongly disagree that it diminishes from
the impact of the movie. The action sequences are top-notch. Flynn
and de Havilland are perfect together without being over-the-top in
the romance department, and of course, Rathbone is outstanding.
For the complete list of films on the TCM TiVo Alert, click here.
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