By
Steve Herte
Jurassic
World: Fallen Kingdom (Universal, 2018) –
Director: J.A. Beyond. Writers: Derek Connolly & Colin Trevorrow
(s/p). Michael Crichton (based on characters created by). Stars:
Chris Pratt, Bryce Callas Howard, Rafe Spall & Jeff Goldblum.
Color, Rated PR-13, 128 minutes.
While Ian Malcolm
(Jeff Goldblum) is trying to explain what a colossally bad idea
messing around with genetics is at a Senate committee hearing, a
submarine pilot (Kevin Layne) is entering the underwater gates at
Isla Nublar to obtain a tooth from the now deceased Indominus Rex,
the genetically engineered “new” dinosaur from the last movie
that was killed by the outrageously large Mosasaur. The tooth is
retrieved and the Mosasaur gets the sub as a tasty tidbit.
After four movies,
we pretty much know all the characters, we know that the T-Rex can be
a hero as well as a villain, and we know that Blue is the last of the
velociraptors (Beta, Delta and Echo were killed in the last film).
And a theme carried over from the previous episode is that socially
misguided Eli Mills (Rafe Spall) thinks that using the recovered
genetic material from the tooth, Dr. Henry Wu (B.D. Wong) can create
a powerful, intelligent monster that will obey commands. Worse, he
thinks that he can sell these always-hungry creatures to the world
powers as weapons of war.
Back on Isla Nublar,
the formerly dormant volcano is going to blow in a big way. Claire
Dearing (Bryce Dallas Howard) feels she must save the dinosaurs from
going extinct (again) and talks Owen Grady (Chris Pratt) into
returning to the island on a rescue mission for his favorite
velociraptor, Blue. They bring Franklin Webb (Justice Smith) a
computer geek to restart Jurassic World’s systems and locate Blue
and Zia Rodriguez (Daniella Pineda) a paleo-veterinarian. Yes, by
now, that’s a real vocation. She comes in handy when mercenaries
mortally wound the hapless raptor.
This rescue mission
is funded by Benjamin Lockwood (James Cromwell), former partner
of park founder John Hammond. He has a plan to relocate the
dinosaurs to their own island where they can live in peace without
human interference. But Mills and Gunnar Eversol (Toby Jones) have
their own plan to relocate the huge beasts to the basement of
Lockwood’s North California mansion, where they will be sold at
auction. Their army of mercenaries under the ruthless Ken Wheatley
(Ted Levine) accomplish this incredible deed by sedating and caging
the animals and stowing them on a really large boat.
What a surprise for
Maisie Lockwood (Isabelle Sermon) when she overhears Mills’ plan,
rats out Mills to grandpa and later meets a Baryonyx in her very own
basement (kind of a large raptor or small T-Rex with a crocodile-like
head). It’s shocking to the housekeeper and Maisie’s nanny, Iris,
(Geraldine Chaplin) when Mills locks the child in her room.
But Maisie escapes.
Owen and Claire are captured, but escape (with the help of a
Pachycephalosaur – the one that look like it’s bald and keeps
butting things with its head); we know at the beginning that the
Mosasaur has escaped and the party begins. Poor Dr. Ian Malcolm has
to reappear at another senate hearing at the end to explain
coexisting with dinosaurs. “These creatures were here before us.
And if we’re not careful…they’re going to be here after.”
One might think
that, with all the familiarity with the cast, the plot and subplots
and the over-sized saurians, the story might have gotten old and
almost hackneyed. This film actually had me chuckling in a couple of
places, like when the Indoraptor fakes sedation as Wheatley tries to
pull one of its teeth (a really bad idea). Or when it roars at the
terrified Gunnar and blows back his Trump-like blond hair.
At two hours and
eight minutes, the movie is a bit long, but it has its surprises,
tense moments and scenes that bring you to the edge of your seat.
Hey, Blue needs a transfusion from a dinosaur with two or three
fingers on each hand. That sounds like the T-Rex, right? I enjoyed
the humor scattered throughout the film. I suspect there might be
another one. Stay all the way through the credits and see if you
agree with me.
Rating: 4 out of
5 martini glasses.
Joe Allen
326 West
46th Street, New York
Having dined at 32
restaurants on New York’s famed Restaurant Row (46th Street,
between 8th and 9th Avenues) I wonder
how I ever missed this one.
Containing a long
room is divided in two by a wall of open brick punctuated by large
arched “windows” with potted plants on their sills, I had a table by the
brick wall and I couldn’t help but notice the long line of Broadway
show posters hanging on the opposite wall. I could not recognize a
single one of them (and I’m pretty good with shows). After my
waiter, Matt, brought me my usual Beefeater martini, I scanned
the single card menu, noting nothing exotic except for the Thai
Vegetarian Stew. The rest was just basic American comfort food.
I started off with
Caesar Salad and Black Bean soup, which arrived simultaneously. The
black bean soup was served with sour cream and chopped onions, and
both were good. The soup stayed hot long enough to finish it and
enjoy the salad.
To my joy, none of
the bottle on the wine list were priced above $78. I found a
2012 Chateau des Mille Anges Bordeaux Blend (60% Merlot, 25% Cabernet
Sauvignon, 15% Cabernet Franc) St. Germain de Graves. It was a
beautiful red with a bright fruity flavor and authoritative finish.
Of the six choices
for main course I chose the Strip Steak with French Fries with
sautéed spinach as a side. The steak was cooked to my specifications
and was tender and juicy inside, blackened and crisp of the outside,
and the fries were excellent. A little too salty, but perfectly
crispy and flavorful. I asked if they were double-fried, but Matt
didn’t know. The steak came with a red wine reduction for dipping
that was subtle and didn’t interfere with the flavor of the meat.
The spinach was a nice pile of savory leaves, slightly garlicky and
well prepared and the only part of the main course I finished. As I
was becoming full I had Matt pack up the remainder of the steak and
fries to go and asked for the dessert menu.
The seven selections
on the card were all something I’ve had before except for one. The
Mango Cheesecake sounded good. It was a square of almost flavorless
cheesecake with a mango compote on top and a raspberry sauce for
color. Oh well. I ate the mango part and left the rest,
telling Matt it wasn’t what I was hoping for.
The double espresso,
on the other hand was very nice and a snifter of cognac finishes off
a traditional meal perfectly. Joe Allen keeps a low profile on
Restaurant Row as compared to the gaudier places like Bourbon Street
or The Ritz. The menu is simple but satisfying for all tastes and the
prices couldn’t be better. If you’re a beer fancier, they have a
remarkable variety from local brews to International IPAs. I would
definitely return there if I have to meet a friend who fears most of
the foods I like.
For the Dinner and a Movie archive, click here.
zmovie - Loved it! The movie is thought provoking, funny , and exciting. I liked that the overall feel of the movie is consistent with the rest of the series so didn't find anything I'd change except the final 1-2 minutes which should have given a bit more thought.
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