TCM
TiVo ALERT
For
August
1–August 7
DAVID’S
BEST BETS:
SUDDENLY (August 1, 12:45 am): This excellent 1954 film noir is when Frank Sinatra became a legitimate actor. Before this, he did some weak musicals and the highly overrated From Here to Eternity. In Suddenly, Ol' Blue Eyes is an assassin preparing to kill the president, who is making a stop in the quaint California town of Suddenly. Sinatra is an excellent bad guy, completely believable as a ruthless killer. There's a great supporting cast including Sterling Hayden, James Gleason and Nancy Gates. The film is in the public domain so if you don't have TCM there are several other ways to see it. The next film Sinatra made was The Man with the Golden Arm, probably his greatest role and our We Agree Film of the Week. But without expanding his acting range in Suddenly, it's doubtful Sinatra would have been so memorable in Golden Arm.
SUDDENLY (August 1, 12:45 am): This excellent 1954 film noir is when Frank Sinatra became a legitimate actor. Before this, he did some weak musicals and the highly overrated From Here to Eternity. In Suddenly, Ol' Blue Eyes is an assassin preparing to kill the president, who is making a stop in the quaint California town of Suddenly. Sinatra is an excellent bad guy, completely believable as a ruthless killer. There's a great supporting cast including Sterling Hayden, James Gleason and Nancy Gates. The film is in the public domain so if you don't have TCM there are several other ways to see it. The next film Sinatra made was The Man with the Golden Arm, probably his greatest role and our We Agree Film of the Week. But without expanding his acting range in Suddenly, it's doubtful Sinatra would have been so memorable in Golden Arm.
LIBELED
LADY (August 2, 10:00 am): First, a few
words about the cast. You can't possibly make a bad movie with
William Powell, Myrna Loy, Spencer Tracy and Jean Harlow (the latter
had top billing). The chemistry between all four in this 1936
screwball comedy is among the best you'll find in any movie. While
Walter Connolly is fine as Loy's father, the legendary Lionel
Barrymore was originally cast in the role. If that had come to pass,
this would rival Key Largo as the greatest
ensemble-cast film ever made. There are so many wonderful and
genuinely funny scenes in this film with these four great comedic
actors. Powell and Harlow were married at the time, but it was
decided that Powell and Loy, one of cinema's greatest on-screen
couples, would fall in love though Harlow got to do a wedding scene
with Powell. Harlow died of renal failure the year after this film
was released. She was only 26. The plot is wonderful with socialite
Loy suing a newspaper for $500,000 for falsely reporting she broke up
a marriage. Tracy is the paper's managing editor and Harlow is his
fiancée who he won't marry. Tracy hires Powell, a slick newspaperman
who is a smooth operator when it comes to women, to seduce Loy and
then purposely get caught in a compromising position by Harlow, who
would pretend to be his wife. Things don't turn out as planned with
Loy and Powell falling in love. It's a great movie with a fantastic
cast and a joy to watch.
ED’S
BEST BETS:
TOO
HOT TO HANDLE (August 2, 1:00 pm): An overlooked and
hilarious comedy with Clark Gable and Walter Pidgeon as competing
newsreel photographers and Myrna Loy as an aviatrix looking for her
lost brother in the Amazon jungle. Of course, soon Gable and Pidgeon
are also competing for Loy’s charms, but who can blame them? The
scene near the beginning with Gable staging a war scene in China is
one of the funniest ever on film.
MYSTERY
OF THE WAX MUSEUM (August 3, 8:00 pm): A great
vintage Pre-Code horror film from Warner Brothers in two-strip
Technicolor process with Glenda Farrell as a reporter investigating
the sudden disappearance of young women. Could it have something to
do with wax sculptor Lionel Atwill? He has his eyes of Glenda’s
friend, Fay Wray. Tune in and find out. This film was later remade in
3-D as House of Wax, starring Vincent Price, but I much
prefer the original. It has that ‘30s sass, especially from Farrell
in the lead that the later version completely lacks.
WE AGREE ON
... THE MAN WITH THE GOLDEN ARM (August 1, 8:00
pm):
ED:
A. This
adaptation of Nelson Algren’s Chicago-set novel caused quite a stir
when it was released though it seems somewhat dated today. Where
other films about the subject treated it gingerly, director Otto
Preminger went straight for the jugular. Star Frank Sinatra gave one
of the great performances as the title character, poker dealer
Frankie Machine. He is rhythmic, and instinctive, yet always under
control. As his wife Zosch, Eleanor Parker is superbly irritating and
pathetically insecure. Kim Novak scores as Molly, winning us over
with her compassion and common sense. Her chemistry with Sinatra is
pure gold. Backing them up is a stellar supporting cast, led by
Darren McGavin and including Arnold Stang, Robert Strauss, Leonid
Kinskey, and the always reliable George E. Stone. It’s a film that
will grab you from the start and not let go. It’s one to see.
DAVID:
A. While the scenery looks like it came from a summer
stock play, it's the story and the characters that make The
Man With the Golden Arm an excellent film. Frankie Machine
(Frank Sinatra) is a junkie/expert card dealer who just got out of
federal prison and has kicked his drug habit. He was a hardcore
heroin addict. The drug is heavily implied in this film and never
mentioned, but you'd have to be clueless to not know. He learned to
play the drums while in prison and has dreams of playing in a big
band, but the reality is he's back in his Chicago neighborhood
hanging out at the same bar with the same losers and hustlers –
including his drug dealer Louie (played so well by Darren McGavin) –
trying to get a few bucks before a supposed music tryout. He quickly
finds himself arrested for possessing a stolen suit and has to work
dealing cards for Schwiefka (Robert
Strauss), his former card boss in illegal high-stakes games, to pay
the cost of the suit and a fine. This is a story of desperation –
almost every character is desperate for something including Frankie's
wife, Zosch (Eleanor Parker), who wants to keep her husband to the
point that she fakes that she still can't walk from a car accident
caused when Frankie was drunk years earlier. He married her out of
guilt and she knows he'll leave her the minute she can walk. Frankie
eventually gets hooked again and it leads to more trouble. When he
wanted to Sinatra was an excellent actor and he shows it in this
film. The movie is dark, authentic and gripping.
This one pulls no punches leading it to not get a rating from the
Motion Picture Association of America because it violates the Hays
Code. For a film from 1955, it holds up well. Also of note is the
excellent jazz soundtrack.
For the complete list of films on the TCM TiVo Alert, click here.
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