By
Ed Garea
Untamed (MGM,
1929) – Director: Jack Conway. Writers: Sylvia Thalberg & Frank
Butler (adaptation), Willard Mack (dialogue), Charles E. Scroggins
(story), Lucille Newmark (titles), Stars: Joan Crawford, Robert
Montgomery, Ernest Torrence, Holmes Herbert, John Miljan, Gwen Lee,
Edward J. Nugent, Don Terry, Gertrude Astor, Milton J. Fahrney, Lloyd
Ingraham, Grace Cunard. Tom O’Brien & Wilson Benge. B&W, 86
minutes.
Now
that sound was the norm, MGM decided to try out two of their more
promising stars, Joan Crawford and Robert Montgomery, in this rather
bizarre romance that moves from the jungles of South America to the
urban sprawl of New York City with a little music added, being as
it’s a sound picture.
Crawford
is Alice Dowling, raised in the jungle by her oil-exploring father
Hank (Ingraham). Nicknamed “Bingo” by the natives, she loves to
sing and dance, as is shown in the film’s opening sequence. Yes,
Bingo is her name-o. One thing Crawford proves is that she can dance,
but she’s no singer. Warbling “Chant of the Jungle,” she sounds
like a cat in heat. The natives, obviously desperate for
entertainment, love her singing and gyrations.
In
the midst of her revelry she is interrupted by the arrival of several
oil workers, led by Bennock (Miljan). He tells her it’s been a long
time since he’s seen a woman sing and dance, and would she repeat
the performance. Of course, she would, but as she goes into her dance
he gets amorous and attacks her, only to be beaten off by a flurry of
fists from Bingo and threats from the natives.
Meanwhile
Hank is indulging in his hobby – getting stone drunk – at the
local waterhole. There he’s found by old friends Ben Murchison
(Torrence) and Howard Presley (Herbert). The meeting its broken up by
the arrival of Bennock, who offers Hank drinking money in return for
Bingo. Hank takes umbrage at the offer and gets into a brief scuffle
during the course of which his weak heart gives out. Taken back to
his hut Hank tells Ben and Howard about a tin box underneath his bed
that contains a clear title to huge tracts of oil rich land further
south, Before he dies he has them promise to take Bingo out of the
jungle and make sure she gets her fair share of the royalties.
Ben
and Howard take Bingo to New York City aboard a tramp steamer, where
she meets and falls for Andy McAllister (Montgomery). Andy has looks,
charm and education, but lacks money. The romance worries Ben and
Howard, not only because Andy is poor, but also that realize that
while they have taken Bingo out of the jungle, it will take some time
to take the jungle out of Bingo and make her into a proper lady. For
instance, Bingo later threatens to beat up Marjorie (Lee), the woman
Andy had been dating, if she doesn’t give him up.
Just
when we begin to wonder just how Ben and Howard are going to civilize
Bingo, a title tells it that it’s eight months later, and Bingo,
now known by her proper name of Alice Dowling, is a proper society
woman, save for her quick temper. She still loves Andy and he still
loves her, but he refuses to live off her money. On the eve of their
engagement party Ben writes Andy a check for $50,000. The plan is
that Andy will be so insulted he will tear the check up and leave
forever. In that case Howard, who has fallen himself for Alice, can
marry her, even though she never once considered him as a romantic
partner. Andy, however, throws a monkey wrench into their plan when
he tells them he’ll take the money and marry Marjorie on it.
Later,
after he gets thoroughly soused at the party, Andy decides to tear up
the check after all. At the urging of Bingo, Ben and Howard offer
Andy a job running the Dowling mines in South America. He can now
marry Alice and not have to worry about her money becoming an issue.
Afterwords
This
was the first pairing of Crawford and Montgomery and was a box-office
success, returning a profit of $508,000 for MGM,
The
critics, though, weren’t as kind. Mordaunt Hall, in The New
York Times, noted that, “… this pictorial effusion never
really appears to get outside the wall of a Hollywood studio. It does
wander, however, from anything real, and the trite dialogue and
vacillating natures of some of the persons involved make one shudder
to think to what queer lengths producers can go with their relatively
new vocalized toy … Miss Crawford has a good voice, but she never
strikes one as a girl who has been away from civilization for most of
her life. There are moments when the fault is with Miss Crawford, and
then there are instances where one is impelled to sympathize with her
because of her lines.”
The Brooklyn
Eagle, on the other hand, was kinder in its evaluation:
“If Untamed does little else for Miss Crawford, it
proves that she is an actress for whom the microphones should hold no
fear. Her diction is clear and unaffected and while there is nothing
in the lines that offers her opportunity for exceptional acting, she
managed to make the impulsive heroine of the story somewhat more
credible than the part deserves.”
Crawford
took an understandable interest in the film, as it was to be her
featured sound debut. Though she never doubted her ability to talk,
she bought a Dictaphone in 1929 and with husband Douglas Fairbanks
Jr. supervising her, began reading verse from the English love-poets
into it. Lowering the timbre of her voice, she found it recorded
well, causing some at MGM to hail her as a new singing star. However,
after getting a load of her singing in the film the studio decided to
focus just on her acting abilities. Worse, later in the film she and
Montgomery sing a duet of “That Wonderful Something Is Love,”
proving Montgomery was an even worse singer than his co-star.
Technically, Untamed was
a good movie, with varied camera movement and the actors delivering
their lines in a naturalistic manner without obviously hunching over
into a microphone and taking pauses between each other’s lines.
Crawford shines in her part, though Montgomery comes off a little
stiff. Torrence and Herbert acquit themselves nicely, and the
direction by Jack Conway combines with the production values for a
well made film, despite the dizzy plot.
Trivia
During
post-production a fire broke out at Consolidated Film Industries
Laboratories where the negatives for Untamed were
being edited, resulting in one death and the destruction of the
physical plant. However, five of six adjoining vaults containing film
negatives were undamaged. MGM reportedly “lost negatives”
for Untamed, but no further information was given as to
the extent of the loss, and no resulting release delays were
announced.
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