Dinner and a Movie
Parker and Quinn Take Planes
Parker and Quinn Take Planes
By Steve Herte
What an amazing week this has been! You’d think that a New Yorker
such as myself would not be able to find novel things to do after 63 years but
you’d be wrong. After a wonderful Italian meal at Osteria Laguna, I was well
prepared for adventure. The next day was a trip down to Coney Island where it
was saddening to see what remained of the New York Aquarium after Super Storm
Sandy. Three of the five buildings are still not restored, including the shark
tank.
I think it’s faster to just list activities:
· Rode the
famous Wonder Wheel (swinging car, of course).
· Discovered
the carousel (which by the way is misspelled in huge lights) at the base of the
former Parachute Drop - simply glorious.
· Karaoke on
the boardwalk, where I sang “Jump In The Line” by Harry Belafonte.
· Dinner at
Les Deux Amis.
Monday:
· Snuck into
the office to turn on my Out-Of-Office messages
· Travelled
to Bronx Zoo for a Dinosaur Safari - excellent!
· Dinner at
The Australian - yes, kangaroo.
Tuesday:
· Museum of
Natural History with thousands of wet New Yorkers
· Saw IMAX
film “Penguins” and the live “Chorus of Frogs” exhibit
· Dinner and
karaoke at Gabby O’Hara’s Irish Pub
Wednesday:
· Downtown to
the Museum of American Finance
· Trinity
Church
· Burial
place of Alexander Hamilton
· Short train
ride to Museum of Mathematics (good for teens)
· Dinner and
karaoke at Muldoon’s Irish Pub
Thursday:
· Day trip
Resorts Casino near Aqueduct Raceway in Queens
· Dinner at S
Dynasty Chinese restaurant
Friday:
· Day trip to
Harlem to visit Hamilton Grange, Alexander Hamilton’s country home
· Victorian
Gardens Amusement Park in Central Park
· Central
Park Zoo
· Dinner and
a movie night
Saturday:
· Walked the
High Line on the lower West side, a park made of an old elevated train
line
· Dinner at 2
Darbar Grill (Indian)
So with that, please enjoy the latest Diner and a Movie!
Planes (Disneytoon, 2013) – Director: Klay Hall.
Writers: Jeffrey M. Howard (story and screenplay), John Lesseter (story), &
Klay Hall (story). Voices: Dane Cook, Stacy Keach, Brad Garrett, Teri Hatcher,
Julia Louis-Dreyfus, Priyanka Chopra, John Cleese, Cedric the Entertainer,
Roger Craig Smith, Carlos Alazraqui, Gabriel Iglesias, Val Kilmer, Anthony
Edwards, Sinbad, John Ratzenberger, & Brent Musburger. Color and in 3D, 91
minutes.
Having seen the movie Cars in 2006 I mistakenly
thought that Planes would follow it
into oblivion as another cutesy Disney cartoon. This film is much better
than Cars by far. It makes the same use of eyes in the
windshield (as opposed to the headlights in other cartoons) to effectively
convey the full range of emotions. The story is the same as that of Turbo,
a lowly character who dreams of being more than what he is, and does what needs
to be done to enter and win a major racing title. However, Disney Corporation
must have been studying the better animation houses (especially Pixar) and is
finally getting competitive.
The tale starts with a dream sequence where Dusty Crophopper
(Cook) is soaring in a race with two fighter jets and winning, when he wakes up
next to his fellow crop-duster in the performance of his job. After work he
trains with the guidance his friend Chug, a tanker truck (Garrett) to fly ever
faster and turn sharper. His mechanic, a forklift named Dottie (Hatcher) tells
him he’s not built for racing and that higher speeds will burst a fuel line but
he perseveres and eventually enlists the aid of Skipper (Keach), an old World
War II fighter plane with a history of glorious missions and a member of the
elite flight team the Jolly Wrenches. Under Skipper’s coaching Dusty achieves
entry into the Wings Across the World Race. Originally he makes sixth place but
one of the top five was discovered using banned substances in his fuel mixture
and was disqualified.
The rest of the story is the race against international champions
Ripslinger (Smith) and his cohorts Ned and Zed (both Iglesias), Rochelle
(Louis-Dreyfus), Ishani (Chopra), Bulldog (Cleese) and another newcomer, El
Chupacabra (Alazraqui). One by one he wins over the friendships of the other
planes (except for Ripslinger), and not only does he win the race, but he also
conquers his fear of heights (crop dusters are generally low-flying).
What makes this movie superior? To start with the writing is 100%
better. Lasseter teams up with Howard this time instead of Joe Ranft (who also
co-directed Cars), and the cleverness level increased dramatically.
There are a lot of gags that children will not get in this movie (i.e. the
Aircraft Carrier “Flysenhower” and the fact that the Statue of Liberty is a
green female forklift – there are no people in this film) – and forget about bringing
toddlers to see it. The camera work is superb, often taking the audience with
Dusty to see what he sees as he zips between obstacles and maneuvers over
others, and the 3D effects serve to enhance this experience. The original music
by Mark Mancina swells and diminishes with the flying sequences to communicate
the thrill of flying and the joy of success. There’s even a nostalgic Cinderella scene (Disney’s former
glory): all the planes competing against Dusty contribute parts so that he can
complete the final leg of the race (he was quite broken up when he had to ditch
at sea in the previous leg) – yes, it evoked tears.
Lastly, the cast of incredible voices supplied the believability
to these non-human characters. Aside from the ones mentioned, we saw Edwards as
Echo, Kilmer as Bravo, Sinbad as Roper, Ratzenberger as Harland, and my favorite,
Musburger as the sports announcer car, Brent Mustangburger. Now that’s comedy! Rating: 5
out of 5 Martini glasses.
Parker & Quinn
64 West 39th Street (5th/6th Avenues),
New York
Has anyone ever heard about the Refinery Hotel in New York City?
No? Then you’ve never had the delight of dining in their restaurant, Parker and
Quinn. To make it even more obscure, not only is it located in an area of
Manhattan not known for good restaurants (the West 30’s), but it is also
currently obscured by scaffolding. As I’ve said many times, New York will be a
beautiful city if it ever gets finished.
The décor of Parker and Quinn harkens back to the 1920’s when
big-patterned wallpaper was as chic as New York Black. The black wood bar, the
hexagonal tile floors, the steel barstools with red and black vinyl cushions
and the banquettes secreted into niches in the walls all scream “Speak-Easy!”
Then you see the glittering swags composed of hundreds of circular, faceted
crystals and you know you’ve arrived at a former time.
I was seated at a banquette about halfway into this gastronomic
time warp. A tall young black man in a colorful touring cap and black outfit
bought me my water and I soon met Cory, my waiter, who presented me with the
single card, two-sided menu. The food was on one side and the wine and beer selection
covered the reverse. (The beer choices were quite impressive.) I ordered my
usual Beefeater Martini and tried to choose form the “Bites,” “Small Dishes,”
Salads,” “Flatbreads,” “From the Coop” (Chicken dishes), “From the Pen” (Pork
dishes), “From the Ranch” (Beef dishes), “From the Sea,” “Pastas,”
“Sandwiches,” and sides with imaginative titles like “From the Garden, Earth,
Woods and Mill” and “From the Pot” (Soups). It wasn’t easy. When Cory listed
the specials and suggested his favorite dishes I had three main courses to
choose from. But using process of elimination, i.e. I’ve already had striped
bass and ample pasta this week, I came up with a three-course meal.
My martini was soon finished and in the process of ordering a
second I learned from Cory that I had depleted their supply of Beefeaters. He
listed some horrible gins that he knew they stocked and I nixed them all but
supplied suggestions on what would be an adequate substitute. He and the
bartender located a third choice, which proved a happy medium. It was a little
bit floral compared to my usual but it worked.
The Spicy Conch Fritters with their piquant pink dipping sauce
arrived simultaneously with the Piquillo Peppers Stuffed with Short Rib in a
dark pine nut sauce, accompanied by toasted baguette slices. Normally this
would bother me, but both dishes were so delicious that neither got the chance
to get cold.
The Conch Fritters had me recalling that wonderful lunch with
Helene in Key West and the three stuffed peppers (one of the “small” dishes)
were each a savory mouthful. The wines-by-the-glass selection was as amazing as
the beer list so, being curious, I ordered the “Gam” from Stump Jump Vineyards,
McLaren Vale, Australia – a varietal composed of Grenache, Shiraz and Mourvedre
– and was delighted. It stood up perfectly against the Rack of Baby Back Ribs
in a Honey-Mustard barbeque sauce.
As I was enjoying the great ribs and fantastic background music
selection I had to replace my wine (the glass was empty) so I decided to try
the Malbec (Albert Furque Vineyards, Mendoza, Argentina), which also
complimented the remaining ribs nicely. Thanks to Cory I had room for dessert
and since I started the dinner Key West style, I ended it that way with a
creamy, slightly tart Key Lime Pie on graham cracker crust with whipped cream.
Yummy!
It was at this point the General Manager came over and introduced
himself asking how everything was. I got to rave about the food and drink and
the fabulous atmosphere and he seemed pleased. Cory asked me if I wanted coffee
or tea. Suddenly I remembered a cocktail I saw on their website which would
make a perfect after-dinner drink, the Cloche and Daggar – Svedka Clementine
Vodka, Pear Nectar, Mango Nectar and Curry. It was exciting just to think about
curry in a drink and it was just as exotic to drink. Judging by my dilemma in
choosing my meal, I’m sure Parker and Quinn will see me again.
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